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of Ottawa) in Ontario, but this material was later shown on microscopical examination to be a mixture. The name was afterwards applied by G. Tschermak to those plagioclase felspars which lie between labradorite and anorthite; and this has been generally adopted by petrologists. In chemical composition and in optical and other physical characters it is thus much nearer to the anorthite end of the series than to albite. Like labradorite and anorthite, it is a common constituent of basic igneous rocks, such as gabbro and basalt. Isolated crystals of bytownite bounded by well-defined faces are unknown. (L. J. S.) BYWATER, INGRAM (1840- ), English classical scholar, was born in London on the 27th of June 1840. He was educated at University and King's College schools, and at Queen's College, Oxford. He obtained a first class in Moderations (1860) and in the final classical schools (1862), and became fellow of Exeter (1863), reader in Greek (1883), regius professor of Greek (1893-1908), and student of Christ Church. He received honorary degrees from various universities, and was elected corresponding member of the Prussian Academy of Sciences. He is chiefly known for his editions of Greek philosophical works: _Heracliti Ephesii Reliquiae_ (1877); _Prisciani Lydi quae extant_ (edited for the Berlin Academy in the _Supplementum Aristolelicum_, 1886); Aristotle, _Ethica Nicomachea_ (1890), _De Arte Poetica_ (1898); _Contributions to the Textual Criticism of the Nicomachean Ethics_ (1892). BYZANTINE ART PLATE I. [Illustration: INTERIOR OF THE HOLY WISDOM (S. SOPHIA), CONSTANTINOPLE. Sixth century, the dome was rebuilt in the tenth century. The metal balustrades, pulpits, and the large discs are Turkish.] CAPITALS OF COLUMNS. [Illustration: S. VITALI, RAVENNA. Sixth century.] [Illustration: S. MARK, VENICE. Eleventh century.] [Illustration: S. APOLLINARI, RAVENNA. Sixth century.] PLATE II. [Illustration: SMALL MEDIEVAL CATHEDRAL, ATHENS. _Photo: Emery Walker._] [Illustration: INTERIOR OF ST. LUKE'S, NEAR DELPHI. Showing a typical scheme of internal decoration. The lower parts of the walls are covered with marble, and the upper surfaces and vaults with mosaics and paintings. Eleventh century. _From a Drawing by Sidney Barnsley._] BYZANTINE ART.[1] By "Byzantine art" is meant the art of Constantinople (sometimes called _Byzantium_ in the middle ages as in antiquity), and of the Byzantine empire; it
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