ips, but something in
Harry's manner forbade it. His gaze was bent steadily forward, and I
kept my wonder to myself, and also the oppression of spirit which had
now grown to something like physical torture.

When first the great barrack broke into sight we must have been at least
two miles distant. I kept my eyes fastened on it as we approached, and
little by little made out the details of its architecture. From base to
summit--which appeared to be roofless--six courses of many hundred
arches ran around the building, one above the other; and between each
pair a course, as it seemed, of plain worked stone, though I afterwards
found it to be sculptured in low relief. The arches were cut in deep
relief and backed with undressed stone. The lowest course of all,
however, was quite plain, having neither arches nor frieze; but at
intervals corresponding to the eight major points of the compass--so far
as I who saw but one side of it could judge--pairs of gigantic stone
figures supported archways pierced in the wall; or sluices, rather,
since from every archway but one a full stream of water issued and
poured down the sides of the hill. The one dry archway was that which
faced us with open gate, and towards which Harry led the way; for
oppression and terror now weighted my hand as with lead upon Grey
Sultan's rein.

Harry, however, rode forward resolutely, dismounted almost in the very
shadow of the great arch, and waited, smoothing his mare's neck.
But for the invitation in his eyes, which were solemn, yet without a
trace of fear, I had never dared that last hundred yards. For above the
rush of waters I heard now a confused sound within the building--the
thud and clanking of heavy machinery, and at intervals a human groan;
and looking up I saw that the long friezes in bas-relief represented men
and women tortured and torturing with all conceivable variety of method
and circumstance--flayed, racked, burned, torn asunder, loaded with
weights, pinched with hot irons, and so on without end. And it added to
the horror of these sculptures that while the limbs and even the dress
of each figure were carved with elaborate care and nicety of detail, the
faces of all--of those who applied the torture and of those who looked
on, as well as of the sufferers themselves--were left absolutely blank.
On the same plan the two Titans beside the great archway had no faces.
The sculptor had traced the muscles of each belly in a constricti