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The Project Gutenberg EBook of British Folk-Music Settings Nr. 4, "Shepherd's Hey", by Anonymous, Arranged for piano by Percy Grainger This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: British Folk-Music Settings Nr. 4, "Shepherd's Hey" Author: Anonymous, Arranged for piano by Percy Grainger Release Date: October 3, 2004 [EBook #13590] Language: ***CAREFUL*** Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SHEPHERD'S HEY *** This eScore was produced by David Lee, Kettering, England This is a musical score in MIDI, PDF and Finale's MUS formats. BRITISH FOLK-MUSIC SETTINGS. (Lovingly and reverenetly dedicated to the memory of Edvard Grieg) Nr 4. "SHEPHERD'S HEY". MORRIS DANCE TUNE. (By kind permission of Novello & Co Ltd.) 4 variants, collected by Cecil J. Sharp from the playing of the fiddler of the Bidford Morris dances (1906,) J. Mason, (Stow on the Wold,) W. Hathaway (Cheltenham) & William Wells (Bampton.) Dished up for piano by PERCY ALDRIDGE GRAINGER, for setting for full band see BRITISH FOLK-MUSIC SETTINGS Nr 16. for setting for room-music 12-some (flute, clarinet, horn, Cnocertina, & 8 strings) see BRITISH FOLK-MUSIC SETTINGS Nr 3. See: MORRIS DANCE TUNES [set 2, Nr 4] (Novello & Co Ltd..) and THE MORRIS BOOK (Novello & Co Ltd.) both by Cecil J. Sharp & Herbert C. Macilwaine. This setting is not suitable to dance Morris dances to. End of the Project Gutenberg EBook of British Folk-Music Settings Nr. 4, "Shepherd's Hey", by Anonymous, Arranged for piano by Percy Grainger *** END OF THIS PROJECT GUTENBERG EBOOK SHEPHERD'S HEY *** ***** This file should be named 13590.txt or 13590.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/3/5/9/13590/ This eScore was produced by David Lee, Kettering, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth i
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