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The Project Gutenberg EBook of The Devil's Pool, by George Sand This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Devil's Pool Author: George Sand Release Date: July 4, 2004 [EBook #12816] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE DEVIL'S POOL *** Produced by Audrey Longhurst, Wilelmina Malliere and the Online Distributed Proofreading Team. THE ROMANCISTS GEORGE SAND THE DEVIL'S POOL [Illustration: Chapter V _He saw my little Marie watching her three sheep on the common land_. ] BIBLIOTHEQUE DES CHEFS-D'OEUVRE DU ROMAN CONTEMPORAIN _THE DEVIL'S POOL_ GEORGE SAND PRINTED FOR SUBSCRIBERS ONLY BY GEORGE BARRIE & SONS, Philadelphia COPYRIGHT, 1901, BY GEORGE BARRIE & SON THIS EDITION OF THE DEVIL'S POOL HAS BEEN COMPLETELY TRANSLATED BY GEORGE B. IVES THE ETCHINGS AND DRAWINGS ARE BY EDMOND RUDAUX NOTICE When I began, with _The Devil's Pool_, a series of rustic pictures which I proposed to collect under the title of _The Hemp-Beater's Tales_, I had no theory, no purpose to effect a revolution in literature. No one can bring about a revolution by himself alone, and there are revolutions, especially in matters of art, which mankind accomplishes without any very clear idea how it is done, because everybody takes a hand in them. But this is not applicable to the romance of rustic manners: it has existed in all ages and under all forms, sometimes pompous, sometimes affected, sometimes artless. I have said, and I say again here: the dream of a country-life has always been the ideal of cities, aye, and of courts. I have done nothing new in following the incline that leads civilized man back to the charms of primitive life. I have not intended to invent a new language or to create a new style. I have been assured of the contrary in a large number of _feuilletons_, but I know better than any one what to think about my own plans, and I am always astonished that the critics dig so deep for them, when the simplest ideas, the most commonplace incidents, are the only inspirations to which the products of art owe their being. As for _The Devil's Pool_ in particular, the inci
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