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." The farmer was speechless. He understood at last. They accused him of having had the pocketbook brought back by an accomplice, by a confederate. He tried to protest. The whole table began to laugh. He could not finish his dinner, and went away amid a chorus of jeers. He went home indignant, choking with rage, with confusion, the more cast down since with his Norman craftiness he was, perhaps, capable of having done what they accused him of and even of boasting of it as a good trick. He was dimly conscious that it was impossible to prove his innocence, his craftiness being so well known. He felt himself struck to the heart by the injustice of the suspicion. He began anew to tell his tale, lengthening his recital every day, each day adding new proofs, more energetic declarations and more sacred oaths, which he thought of, which he prepared in his hours of solitude, for his mind was entirely occupied with the story of the string. The more he denied it, the more artful his arguments, the less he was believed. "Those are liars proofs," they said behind his back. He felt this. It preyed upon him and he exhausted himself in useless efforts. He was visibly wasting away. Jokers would make him tell the story of "the piece of string" to amuse them, just as you make a soldier who has been on a campaign tell his story of the battle. His mind kept growing weaker and about the end of December he took to his bed. He passed away early in January, and, in the ravings of death agony, he protested his innocence, repeating: "A little bit of string--a little bit of string. See, here it is, M'sieu le Maire." End of the Project Gutenberg EBook of Original Short Stories of Maupassant, Volume 8, by Guy de Maupassant *** END OF THIS PROJECT GUTENBERG EBOOK MAUPASSANT SHORT STORIES *** ***** This file should be named 3084.txt or 3084.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/3/0/8/3084/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to cop
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