n door of
its fire-box, in which brands were burning furiously, and a jet of vapor
from somewhere, gave it quite the appearance of an odd steam engine.
Beside the contre-torpilleur stood the two cooks, both unusually small
in stature. One was about thirty-two or three years old, chunky, and
gifted with short, strong, hairy arms; the other was much slighter,
younger, and so juvenile of face that his downy mustache was almost
invisible. I knew these men very well; one, the older, was a farmhand in
a village of Touraine, and the other, an errand boy in a bookbinding
works at Saint-Denis. The war had turned them into regimental cooks,
though it was the older man who did most of the cooking, while the boy
occupied himself with gathering wood and distributing the food. The
latter once confessed to me that when he heard that Americans were
coming to the Bois-le-Pretre, he had expected to see Indians, and that
he and his comrades had joked, half in jest, half in earnest, about the
Boches going to lose their scalps. The other was famous for an episode
of the July attacks: cornered in the trench by a Boche, he had emptied
his kettle of hot soup over the man's head and finished him off with a
knife. They waved friendlily at me. The farmhand, in particular, was one
of the pleasantest fellows who ever breathed; and still fond, like a
true good man of Touraine, of a Rabelaisian jest.

The road now entered the wood, and continued straight ahead down a
pleasant vista of young ash trees. Suddenly a trench, bearing its name
in little black, dauby letters on a piece of yellow board the size of a
shingle, began by the side of the forest road, and I went down into it
as I might have gone down cellar. The Boyau Poincare--such was its
title--began to curve and twist in the manner of trenches, and I came
upon a corner in the first line known as "Three Dead Men," because after
the capture of the wood, three dead Germans were found there in
mysterious, lifelike attitudes. The names of trenches on the French
front often reflect that deep, native instinct to poetry possessed by
simple peoples--the instinct that created the English ballads and the
exquisite mediaeval French legends of the saints. Other trench names
were symbolic, or patriotic, or political; we had the "Trench of the
Great Revenge," the "Trench of France," the "Trench of Aristide"
(meaning Briand), and the "Boulevard Joffre."

Beyond "Les Trois Morts," began the real lines of the p