.) "Dramatic
Lyrics." 1842.

"Evelyn Hope." (Love as conquering Time.) "Dramatic Lyrics."
Published in "Men and Women." 1855.

"Love among the Ruins." (Love as the one lasting reality.)
"Dramatic Lyrics." Published in "Men and Women." 1855.

"A Lover's Quarrel." (Love as the great harmony which triumphs
over smaller discords.) "Dramatic Lyrics." Published in "Men
and Women." 1855.

"By the Fireside." (Love in its ideal maturity.) "Dramatic
Lyrics." Published in "Men and Women." 1855.

"Any Wife to any Husband." (Love in its ideal of constancy.)
"Dramatic Lyrics." Published in "Men and Women." 1855.

"Two in the Campagna." (Love as an unsatisfied yearning.)
"Dramatic Lyrics." Published in "Men and Women." 1855.

"Love in a Life." (Love as indomitable purpose.) "Dramatic
Lyrics." Published in "Men and Women." 1855.

"Life in a Love." (Love as indomitable purpose.) "Dramatic
Lyrics." Published in "Men and Women." 1855.

"The Lost Mistress." (Love as the completeness of
self-surrender.) "Dramatic Lyrics." 1842.

"A Woman's last Word." (Love as the completeness of
self-surrender.) "Dramatic Lyrics." Published in "Men and
Women." 1855.

"A Serenade at the Villa." (Love as the completeness of
self-surrender.) "Dramatic Lyrics." Published in "Men and
Women." 1855.

"One Way of Love." (Love as the completeness of
self-surrender.) "Dramatic Lyrics." Published in "Men and
Women." 1855.

"Rudel to the Lady of Tripoli." (Love as the completeness of
self-surrender.) "Men and Women." Published in "Dramatic
Lyrics." 1842.

"In Three Days." (Love as the intensity of expectant hope.)
"Dramatic Lyrics." Published in "Men and Women." 1855.

"In a Gondola." (Love as the intensity of a precarious joy.)
"Dramatic Romances." Published in "Dramatic Lyrics." 1842.

"Porphyria's Lover." (Love as the tyranny of spiritual
appropriation.) "Dramatic Romances." Published in "Dramatic
Lyrics." 1842.

"James Lee's Wife." (Love as saddened by the presentiment and
the consciousness of change.) "Dramatis Personae." 1864

"The Worst of it." (Love as the completeness of
self-effacement.) "Dramatis Personnae." 1864.

"Too Late." (Love as the sense of a loss which death has
rendered irrevocable.) "Dramatis Person