with stooping over the fire, and I have burnt a
hole right in the fore front of my gown, by letting a hot cinder fall
from the grate upon it. There is, however, now no time to repair these
dilapidations. We issue from our lair, and _en route_ meet the long
string of servants filing from their distant regions. How is it that the
cook's face is so much, _much_ less red than mine? Prayers are held in
the justicing-room, and thither we are all repairing. The accustomed
scene bursts on my eye. At one end the long, straight row of the
servants, immovably devout, staring at the wall, with their backs to us.
In the middle of the room, facing them, father, kneeling upon a chair
with his hands clutched, and his eyes closed, repeating the church
prayers, as if he were rather angry with them than otherwise. Mother,
kneeling on the carpet beside him, like the faithful, ruffed, and
farthingaled wife on a fifteenth-century tomb. Behind them, again, at
some little distance, we and our visitor. With the best will in the
world to do so, I can get but a meagre view of the latter. The room is
altogether rather dark, it being one of our manners and customs not to
throw much light on prayers, and he has chosen the darkest corner of it.
I only vaguely see the outline of a kneeling figure, evidently neither
bulky nor obese, of a flat back and vigorous shoulders. His face is
generally hidden in his hands, but once or twice he lifts it to scan the
proportions of my late grandfather's preposterously fat cob, whose
portrait hangs on the wall above his head.

There is no doubt that on some days the devil reigns with a more potent
sway over people than on others. To-night he has certainly entered into
the boys. He often does a little, but this evening he is holding a great
and mighty carnival among them. While father's strong, hard voice
vibrates in a loud, dull monotone through the silent room, they are
engaged in a hundred dumb yet ungodly antics behind his back.

Algernon has thrust his head far out between the rungs of his
chair-back, and affects to be unable to withdraw it again, making
movements of simulated suffocation. The Brat is stealthily walking on
his knees across the space that intervenes between them to Barbara, with
intent, as I too well know, of unseemly pinchings. If father unbutton
his eyes, or move his head one barley-corn, we are all dead men. I hold
my breath in a nervous agony. Thank Heaven! the harsh recitation still
flows