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. A most objectionable class of male dancers also exists, who imitate the dances of the Ghawazi, and dress in a kind of nondescript female attire. Not the least curious of the public performances are those of the serpent-charmers, who are generally Rifa'ia (Saadia) dervishes. Their power over serpents has been doubted, yet their performances remain unexplained; they, however, always extract the fangs of venomous serpents. Jugglers, rope-dancers and farce-players must also be mentioned. In the principal coffee-shops of Cairo are to be found reciters of romances, surrounded by interested audiences. Public festivals. The periodical public festivals are exceedingly interesting, but many of the remarkable observances connected with them are passing away. The first ten days of the Mahommedan year are held to be blessed, and especially the tenth; and many curious practices are observed on these days, particularly by the women. The tenth day, being the anniversary of the martyrdom of Hosain, the son of Ali and grandson of the Prophet, the mosque of the Hasanen at Cairo is thronged to excess, mostly by women. In the evening a procession goes to the mosque, the principal figure being a white horse with white trappings, upon which is seated a small boy, the horse and the lad, who represents Hosain, being smeared with blood. From the mosque the procession goes to a private house, where a mullah recites the story of the martyrdom. Following the order of the lunar year, the next festival is that of the Return of the Pilgrims, which is the occasion of great rejoicing, many having friends or relatives in the caravan. The Mahmal, a kind of covered litter, first originated by Queen Sheger-ed-Dur, is brought into the city in procession, though not with as much pomp as when it leaves with the pilgrims. These and other processions have lost much of their effect since the extinction of the Mamelukes, and the gradual disuse of gorgeous dress for the retainers of the officers of state. A regiment of regular infantry makes but a sorry substitute for the splendid cavalcade of former times. The Birth of the Prophet (Molid en-Nebi), which is celebrated in the beginning of the third month, is the greatest festival of the whole year. For nine days and nights Cairo has more the aspect of a fair than of a city keeping a religious festival. The chief ceremonies take place in
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