th of an old life, and the
uprising of a new purpose.

The colder manners and more repressed habits of modern times can give
no idea of the wild fervor of a religious revival among a people so
passionate and susceptible to impressions as the Italians. It swept
society like a spring torrent from the sides of the Apennines, bearing
all before it. Houses were sacked with religious fervor by penitent
owners, and licentious pictures and statuary and books, and all the
thousand temptations and appliances of a luxurious age, were burned in
the great public square. Artists convicted of impure and licentious
designs threw their palettes and brushes into the expiatory flames, and
retired to convents, till called forth by the voice of the preacher,
and bid to turn their art into higher channels. Since the days of Saint
Francis no such profound religious impulse had agitated the Italian
community.

In our times a conversion is signalized by few outward changes, however
deep the inner life; but the life of the Middle Ages was profoundly
symbolical, and always required the help of material images in its
expression.

The gay and dissolute young Lorenzo Sforza took leave of the world with
rites of awful solemnity. He made his will and disposed of all his
worldly property, and assembling his friends, bade them the farewell of
a dying man. Arrayed as for the grave, he was laid in his coffin,
and thus carried from his stately dwelling by the brethren of the
Misericordia, who, in their ghostly costume, with mournful chants and
lighted candles, bore him to the tomb of his ancestors, where the coffin
was deposited in the vault, and its occupant passed the awful hours of
the night in darkness and solitude. Thence he was carried, the next day,
almost in a state of insensibility, to a neighboring convent of the
severest order, where, for some weeks, he observed a penitential retreat
of silence and prayer, neither seeing nor hearing any living being but
his spiritual director.

The effect of all this on an ardent and sensitive temperament can
scarcely be conceived; and it is not to be wondered at that the once
gay and luxurious Lorenzo Sforza, when emerging from this tremendous
discipline, was so wholly lost in the worn and weary Padre Francesco
that it seemed as if in fact he had died and another had stepped into
his place. The face was ploughed deep with haggard furrows, and the eyes
were as those of a man who has seen the fearful secrets