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anish fields; In power I shall perform deeds: you'll scarcely trust your eyes." Gerlinde immediately informs her son Hartmut of Gudrun's decision; but when he hastens to the spot to embrace her, she declines, saying: "'O King Hartmut, leave this yet undone! If people saw this action, it would be your dishonor; I am a lowly servant, how would it be befitting, Were a mighty king to embrace me or to touch me?'" Overjoyed, Hartmut orders Gudrun and her maidens to be clothed in costly garments and to be regaled royally; and for the first time in fourteen years Queen Gudrun laughs merrily among her Hegeling sisters, who are overcome by the sudden change of events. The report of Gudrun's merriment causes Gerlinde a presentiment of evil; she warns her son, but he has no eyes or ears but for Gudrun's charms. When the maidens retire for the first time in fourteen years to a soft couch, Gudrun reveals to them the fact that help and salvation are near, and promises "buroughs and acres" to her who will first announce to her the morning which shall bring to them the day of freedom and of revenge. Meanwhile, Herwig and Ortwin return to their host and relate to the companions Gudrun's and Hildeburg's fate. Old Wate proposes to attack the Normans without delay, and "to wash red the white garments which their white hands had washed in the sea." "Before dawn they shall stand as guests before King Ludwig's fortress." And, indeed, at the rising of the morning star, one of Gudrun's maidens sees from the window the fields shining with arms and the sea filled with sails. Quickly she awakes Gudrun, while at the same time the king's warders cry from the battlements: "'Get up, ye proud heroes, get up, hosts, to your arms: Brave Normans, all too long, methinks, have you slept.'" The masterly description of the terrific battle, which is worthy of the best traditions of the German epic, does not belong to this work. Yet the gathering of the Hegelings around Queen Hilde's banner, King Herwig's bride standing high on the battlement of the tower, while King Hartmut and the Norman heroes march under the arch of the gate are objective pictures showing that the womanly element is the pivot upon which the story turns. When old King Ludwig is slain by Herwig, the she-wolf, Gerlinde, sends out a murderer to kill Gudrun, but Hartmut generously saves her mindful of the beloved one even in t
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