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as it is laid in. Hence it is that a charm dwells undefinable among these slovenly verses, as the unseen cuckoo fills the mountains with his note; hence, even after we have flung the book aside, the scenery and adventures remain present to the mind, a new and green possession, not unworthy of that beautiful name, "The Lady of the Lake," or that direct, romantic opening--one of the most spirited and poetical in literature--"The stag at eve had drunk his fill." The same strength and the same weaknesses adorn and disfigure the novels. In that ill-written, ragged book, "The Pirate," the figure of Cleveland--cast up by the sea on the resounding foreland of Dunrossness--moving, with the blood on his hands and the Spanish words on his tongue, among the simple islanders--singing a serenade under the window of his Shetland mistress--is conceived in the very highest manner of romantic invention. The words of his song, "Through groves of palm," sung in such a scene and by such a lover, clinch, as in a nutshell, the emphatic contrast upon which the tale is built. In "Guy Mannering," again, every incident is delightful to the imagination; and the scene when Harry Bertram lands at Ellangowan is a model instance of romantic method. "'I remember the tune well,' he says,'though I cannot guess what should at present so strongly recall it to my memory.' He took his flageolet from his pocket and played a simple melody. Apparently the tune awoke the corresponding associations of a damsel.... She immediately took up the song-- "'Are these the links of Forth, she said; Or are they the crooks of Dee, Or the bonny woods of Warroch Head That I so fain would see?' "'By heaven!' said Bertram, 'it is the very ballad.'" On this quotation two remarks fall to be made. First, as an instance of modern feeling for romance, this famous touch of the flageolet and the old song is selected by Miss Braddon for omission. Miss Braddon's idea of a story, like Mrs. Todgers's idea of a wooden leg, were something strange to have expounded. As a matter of personal experience, Meg's appearance to old Mr. Bertram on the road, the ruins of Derncleugh, the scene of the flageolet, and the Dominie's recognition of Harry, are the four strong notes that continue to ring in the mind after the book is laid aside. The second point is still more curious. The reader will observe a mark of excision in the passage as quoted by me. Well, here is how it ru
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