FREE BOOKS

Author's List




PREV.   NEXT  
|<   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38  
39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   >>   >|  
of my understanding, which is the world of all my fellow creatures. On the other hand, as regards the will, we might repeat exactly, word for word, what we have just said of the imagination. This is unnecessary. Back of both, then, we have our true cause, whatever may be our opinion concerning the ultimate nature of causation and of will. 3. Both imagination and will have a teleological character, and act only with a view toward an end, being thus the opposite of the understanding, which, as such, limits itself to proof. We are always wanting something, be it worthless or important. We are always inventing for an end--whether in the case of a Napoleon imagining a plan of campaign, or a cook making up a new dish. In both instances there is now a simple end attained by immediate means, now a complex and distant goal presupposing subordinate ends which are means in relation to the final end. In both cases there is a _vis a tergo_ designated by the vague term "spontaneity," which we shall attempt to make clear later, and a _vis a fronte_, an attracting movement. 4. Added to this analogy as regards their nature, there are other, secondary likenesses between the abortive forms of the creative imagination and the impotent forms of the will. In its normal and complete form will culminates in an act; but with wavering characters and sufferers from abulia deliberation never ends, or the resolution remains inert, incapable of realization, of asserting itself in practice. The creative imagination also, in its complete form, has a tendency to become objectified, to assert itself in a work that shall exist not only for the creator but for everybody. On the contrary, with dreamers pure and simple, the imagination remains a vaguely sketched inner affair; it is not embodied in any esthetic or practical invention. Revery is the equivalent of weak desires; dreamers are the abulics of the creative imagination. It is unnecessary to add that the similarity established here between the will and the imagination is only partial and has as its aim only to bring to light the role of the motor elements. Surely no one will confuse two aspects of our psychic life that are so distinct, and it would be foolish to delay in order to enumerate the differences. The characteristic of novelty should by itself suffice, since it is the special and indispensable mark of invention, and for volition is only accessory: The extraction of a tooth requires of
PREV.   NEXT  
|<   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38  
39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   >>   >|  



Top keywords:
imagination
 

creative

 

remains

 

complete

 

dreamers

 
simple
 
invention
 

unnecessary

 

nature

 

understanding


indispensable

 
objectified
 

sketched

 

assert

 

special

 

contrary

 

suffice

 

vaguely

 

creator

 

tendency


practice
 

extraction

 

accessory

 
abulia
 
characters
 
requires
 
sufferers
 

deliberation

 

asserting

 

volition


realization

 
incapable
 

resolution

 

novelty

 

distinct

 
wavering
 

partial

 

aspects

 

psychic

 
elements

Surely

 

foolish

 

established

 
enumerate
 

esthetic

 

practical

 

embodied

 

differences

 

confuse

 
affair