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ts, a physiological equivalent? One metaphysician, Froschammer, who has elevated the creative imagination to the rank of primary world-principle, asserts this positively. For him there is an objective or cosmic imagination working in nature, producing the innumerable varieties of vegetable and animal forms; transformed into subjective imagination it becomes in the human brain the source of a new form of creation. "The very same principle causes the living forms to appear--a sort of objective image--and the subjective images, a kind of living form."[27] However ingenious and attractive this philosophical theory may be, it is evidently of no positive value for psychology. Let us stick to experience. Physiology teaches that generation is a "prolonged nutrition," a surplus, as we see so plainly in the lower forms of agamous generation (budding, division). The creative imagination likewise presupposes a superabundance of psychic life that might otherwise spend itself in another way. Generation in the physical order is a spontaneous, natural tendency, although it may be stimulated, successfully or otherwise, by artificial means. We can say as much of the other. This list of resemblances it would be easy to prolong. But all this is insufficient for the establishment of a thorough identity between the two cases and the solution of the question. It is possible to limit it, to put it into more precise language. Is there a connection between the development of the generative function and that of the imagination? Even in this form the question scarcely permits any but vague answers. In favor of a connection we may allege: (1) The well-known influence of puberty on the imagination of both sexes, expressing itself in day-dreams, in aspirations toward an unattainable ideal,[28] in the genius for invention that love bestows upon the least favored. Let us recall also the mental troubles, the psychoses designated by the name hebephrenia. With adolescence coincides the first flowering of the fancy which, having emerged from its swaddling-clothes of childhood, is not yet sophisticated and rationalized. It is not a matter of indifference for the general thesis of the present work to note that this development of the imagination depends wholly on the first effervescence of the emotional life. That "influence of the feelings on the imagination" and of "the imagination on the feelings" of which the moralists and the older psychologi
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