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The quantity of India ink added to the albumen should be such as the paper be black when coated, but, however, sufficiently transparent for one to see the shadow of objects placed on the back of it, and the coating should not be thick. This is important in order to allow the light acting through the whole thickness of the preparation when the paper is insolated under the cliche, for, if the film be too opaque or too thick (by addition of too much gum arabic), it would be only impressed on its surface, and the image dissolved during the development. The cause of this failure must be explained. Under the action of light the bichromate employed to sensitize the albumen is reduced into chromic oxide which render insoluble this organic substance--or any other, such as caseine, gelatine, gum arabic, etc.; therefore whenever the film is not acted on in its whole thickness, the subjacent part being still soluble, is necessary washed off and with it the superficial impressed part, that is, the image. 2d. Take 10 parts of lamp black and work it up in a mortar to the consistency of a thin paste by gradually pouring a little of a solution of from 6 to 8 parts of gum arabic and 1 part of liquid glucose in 100 parts of water, adding afterwards the remainder, into which 21/2 parts of ammonium bichromate have been dissolved, and filter through flannel. With this, coat the paper by brushing so as to form a thin and uniform film, and pin it up to dry in the dark. These solutions keep well for a certain period. We have kept the albumen, which we prefer to use, for two months in good condition; but the sensitive paper does not for more than three or four days in taking the usual care. It is more practical--and this is recommended--to leave out the bichromate from the preparations, and to coat the paper, in quantity, beforehand, and for use to sensitize it with a solution of potassium bichromate at 31/2 per cent. of water applied on the verso with a Buckle brush.(25) The bichromate solution should be allowed to imbue the paper for about one minute, and having brushed it once more, the paper is pinned up to dry in the dark room. It can also be sensitized from the back by floating, if this manner is found more convenient. When dry the paper is impressed under a negative cliche of good intensity until t
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