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e aid of syndicalism. Its savage vigor appeals to some artists, decadents, and _declasses_. Neurotic as a rule, they seem to hunger for the stimulus which comes by association with the merely physical power and vigor of the working class. The navvy, the coalheaver, or "yon rower ... the muscles all a-ripple on his back,"[12] awakens in them a worshipful admiration, even as it did in the effete Cleon. Such a theory as syndicalism, declares Sombart, "could only have grown up in a country possessing so high a culture as France; that it could have been thought out only by minds of the nicest perception, by people who have become quite _blase_, whose feelings require a very strong stimulus before they can be stirred; people who have something of the artistic temperament, and, consequently, look disdainfully on what has been called 'Philistinism'--on business, on middle-class ideals, and so forth. They are, as it were, the fine silk as contrasted with the plain wool of ordinary people. They detest the common, everyday round as much as they hate what is natural; they might be called 'Social Sybarites.' Such are the people who have created the syndicalist system."[13] On one point Sombart is wrong. All the essential doctrines of revolutionary syndicalism, as a matter of fact, originated with the anarchists in the unions, and the most that can be said for the "Sybarites" is that they elaborated and mystified these doctrines. There are those, of course, who maintain that syndicalism is wholly a natural and inevitable product of economic forces, and, so far as the actual syndicalist movement is concerned, that is unquestionably true. But in all the maze of philosophy and doctrine that has been thrown about the actual French movement, we find the traces of two extraneous forces--the anarchists who availed themselves of the opportunity that an awakening trade unionism gave them, and those intellectuals of leisure, culture, and refinement who found the methods of political socialism too tame to satisfy their violent revolt against things bourgeois. And the philosophical syndicalism that was born of this union combines utopianism and anarchism. The yearning esthetes found satisfaction in the rugged energy and physical daring of the men of action, while the latter were astonished and flattered to find their simple war measures adorned with metaphysical abstractions and arousing an immense furore among the most learned and fashionable c
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