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he right thing. Of the historical records of that powerful but short-lived dynasty we have nothing left but the few imperfect and rotten _quippus_ which are occasionally disinterred from the _huacas_. If we desire to know anything about the civil laws and policy, the religious rites and ceremonies of the Incas, their scanty scientific attainments, and their very few and rude artistic attempts, we are obliged to recur to the "Comentarios reales" of Garcilasso de la Vega, to the _Decadas_ of Herrera, to Zarata and other writers of the time of the conquest of Peru by Francisco Pizarro. None of them--Montesinos excepted--try to shed any light on the origin of _Manco-Ceapac_ and that of his sister and wife, _Mama-Oello_, nor on the state of the country before their arrival at Cuzco. I have been most happy in my researches into the history of this founder of the Inca dynasty, whom many consider a mere mythical being. In the library of the British Museum I came across an old Spanish manuscript, written by a Jesuit father, A. Anilla, under, as he asserts, the dictation of a certain _Catari_, an ex-_quippucamayoe_,--archive-keeper. Writing now from memory, far away from my books, notes, plans, etc., etc., left for safe-keeping in the hands of a friend in Merida, I do not remember the number of the catalogue. But it is easy to look for "_Las vidas de los hombres ilustres de la compania de Jesus en las Provincias del Peru_," where I have read of the origin of Manco-Ceapac, of his wanderings from the sea coasts to those of the lake of Titicaca, and hence through the country till at last he arrived at the village of Cuzco, where he was kindly received by the inhabitants and established himself. This MS. also speaks of the history of his ancestors, of their arrival at Tumbes after leaving their homes in the countries of the north in search of some lost relatives, of their slow progress toward the South, and the vain inquiries about their friends, etc., etc. Now that I have studied part of the history of the Mayas and become acquainted with their customs, as pictured in the mural paintings that adorn the walls of the inner room of the monument raised to the memory of Chac-Mool by the Queen of Itza, his wife, on the south end of the east wall
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