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rely that is being, "Self-poised and independent still On this world's varying good or ill." In 1842, Dr. Ware's health became so much impaired that Mrs. Ware entertains an unfulfilled desire. It is to get away from Cambridge, which had become so dear to them all. "I scruple not to say that a ten-foot house, and bread and water diet, with a sense of rest to _him_, would be a luxury." The family removed to Framingham, where Dr. Ware died, a year later. Whatever tribulations might be in store for Mrs. Ware, anxiety on his account was not to be one of them. Death came on Friday; on Sunday, Mrs. Ware attended church with all her family, and the occasion must have been more trying for the minister who preached to her than for herself. A short service was held that Sunday evening at six, and "Then," she says, "John and I brought dear father's body to Cambridge in our own carriage; we could not feel willing to let strangers do anything in connection with him which we could do ourselves." Think of that dark, silent lonely ride from Framingham to Cambridge! But here was a woman who did not spare herself, and did not ask what somebody would think of her doings. After this event, the Memoirs tell us that a gentleman in Milton gave her a very earnest invitation to go there and take the instruction of three little children in connection with her own. In this occupation she spent six years of great outward comfort and usefulness. There is much in these years, or in the letters of these years, of great interest and moral beauty. Even with young children to leave, she speaks of death as serenely as she would of going to Boston. "I do not feel that I am essential to my children. I do not feel that I am competent to train them." Of her last illness, one of her children wrote, "Never did a sick room have less of the odor of sickness than that. It was the brightest spot on earth." "Come with a _smile_," she said to a friend whom she had summoned for a last farewell, and so went this remarkable and exceptionally noble woman. III LYDIA MARIA CHILD [Illustration: LYDIA MARIA CHILD] In the second quarter of the nineteenth century, few names in American literature were more conspicuous than that of Lydia Maria Child, and among those few, if we except that of Miss Sedgwick, there was certainly no woman's name. Speaking with that studied reserve which became its dignity, the _North American Review_ said of her
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