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The Project Gutenberg eBook, The Second Latchkey, by Charles Norris Williamson and Alice Muriel Williamson, Illustrated by Rudolph Tandler This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Second Latchkey Author: Charles Norris Williamson and Alice Muriel Williamson Release Date: May 29, 2006 [eBook #18470] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE SECOND LATCHKEY*** E-text prepared by Suzanne Shell, Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/) Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 18470-h.htm or 18470-h.zip: (http://www.gutenberg.net/dirs/1/8/4/7/18470/18470-h/18470-h.htm) or (http://www.gutenberg.net/dirs/1/8/4/7/18470/18470-h.zip) THE SECOND LATCHKEY by C. N. & A. M. WILLIAMSON Frontispiece by Rudolph Tandler Garden City New York Doubleday, Page & Company 1920 CONTENTS CHAPTER I. A White Rose II. Smiths and Smiths III. Why She Came IV. The Great Moment V. The Second Latchkey VI. The Beginning--or the End? VII. The Countess de Santiago VIII. The Blue Diamond Ring IX. The Thing Knight Wanted X. Beginning of the Series XI. Annesley Remembers XII. The Crystal XIII. The Series Goes On XIV. The Test XV. Nelson Smith at Home XVI. Why Ruthven Smith Went XVII. Ruthven Smith's Eyeglasses XVIII. The Star Sapphire XIX. The Secret XX. The Plan XXI. The Devil's Rosary XXII. Destiny and the Waldos XXIII. The Thin Wall XXIV. The Anniversary XXV. The Allegory XXVI. The Three Words THE SECOND LATCHKEY CHAPTER I A WHITE ROSE Even when Annesley Grayle turned out of the Strand toward the Savoy she was uncertain whether she would have courage to walk into the hotel. With each step the thing, the dreadful thing, that she had come to do, loomed blacker. It was monstrous, impossible, like opening the door of t
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