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and so on. IV. 4. 4. The play upon the double meaning of +kora+, (1) maiden, (2) pupil of the eye, can hardly be kept in English. It is worthy of remark that our text of Xenophon has +en tois thalamois+, a perfectly natural expression. Such a variation would seem to point to a very early corruption of ancient manuscripts, or to extraordinary inaccuracy on the part of Longinus, who, indeed, elsewhere displays great looseness of citation, confusing together totally different passages. 9. +itamon+. I can make nothing of this word. Various corrections have been suggested, but with little certainty. 5. 10. +hos phoriou tinos ephaptomenos+, literally, "as though he were laying hands on a piece of stolen property." The point seems to be, that plagiarists, like other robbers, show no discrimination in their pilferings, seizing what comes first to hand. VIII. 1. 20. +edaphous+. I have avoided the rather harsh confusion of metaphor which this word involves, taken in connection with +pegai+. IX. 2. 13. +apechema+, properly an "echo," a metaphor rather Greek than English. X. 2. 13. +chlorotera de poias+, lit. "more wan than grass"--of the sickly yellow hue which would appear on a dark Southern face under the influence of violent emotion.[2] [Footnote 2: The notion of _yellowness_, as associated with grass, is made intelligible by a passage in Longus, i. 17. 19. +chloroteron to prosopon en poas _therines_.+] 3. 6. The words +e gar ... tethneken+ are omitted in the translation, being corrupt, and giving no satisfactory sense. Ruhnken corrects, +alogistei, phronei, ptoeitai, e p. o. t.+ 18. +splanchnoisi kakos anaballomenoisi.+ Probably of sea-sickness; and so I find Ruhnken took it, quoting Plutarch, _T._ ii. 831: +emountos tou heterou, kai legontos ta splanchna ekballein+. An objection on the score of _taste_ would be out of place in criticising the laureate of the Arimaspi. X. 7. 2. +tas exochas aristinden ekkatherantes.+ +aristinden ekkatherantes+ appears to be a condensed phrase for +aristinden eklexantes kai ekkatherantes+. "Having chosen the most striking circumstances _par excellence_, and having relieved them of all superfluity," would perhaps give the literal meaning. Longinus seems conscious of some strangeness in his language, making a quasi-apology in +hos an eipoi tis+. 3. Partly with the help of Toup, we may emend this corrupt passage as follows: +lumainetai gar tauta to h
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