FREE BOOKS

Author's List




PREV.   NEXT  
|<   555   556   557   558   559   560   561   562   563   564   565   566   567   568   569   570   571   572   573   574   575   576   577   578   579  
580   581   582   583   584   585   586   587   588   589   590   591   592   593   594   595   596   597   598   599   600   601   602   603   604   >>   >|  
and practical idealists is above and beyond computation as a proper exposition attraction. It was a great surprise to the millions of people who saw the excellence of talent that was shown by the women artists, and the fact that women did it elevated the sentiment and appreciation of art. Indeed, without the work of women officially organized, and as individuals, it could not have reached, as it did, the height of success. Group 12, Miss Rose Weld, Newport News, Va., Juror. Under the group heading "Architecture" the four classes into which it was divided represented: Drawings, models, and photographs of completed buildings. Designs and projects of buildings. (Designs other than of architectural or constructive engineering.) Drawings, models, and photographs of artistic architectural details. Mosaics; leaded and Mosaic glass. It is unfortunate that in this department the extent in which women share in the kind of work represented in this group was not demonstrated. While there are not many women architects of buildings as yet, it is believed that the number is rapidly increasing, and within the past ten years it has been discovered that their aptitude for designing and working in leaded glass is of the highest, their artistic tendencies rendering them peculiarly adapted to this kind of work. Miss Weld reports as follows: In this department there were only two women exhibitors, both Americans. The English and French exhibits were not open for competition, but, so far as I could find out, there were no exhibits by women from either of these countries. One of the American women exhibited as an architect some attractive plans and interior views for a farmhouse. The other, as a landscape architect, some photos of garden scenes. This last exhibit was the more striking of the two, as it showed that in the last few years women had made inroad into another profession hitherto left to the men. Miss Brown only finished her studies in landscape architecture at the Massachusetts Institute of Technology in 1903, where she was one of the first three women to take the course, a course only established within the last few years, so that there has not been much time in which to show what women can do in the profession. It is only a step from private gardens to public parks and grounds. Until la
PREV.   NEXT  
|<   555   556   557   558   559   560   561   562   563   564   565   566   567   568   569   570   571   572   573   574   575   576   577   578   579  
580   581   582   583   584   585   586   587   588   589   590   591   592   593   594   595   596   597   598   599   600   601   602   603   604   >>   >|  



Top keywords:
buildings
 

models

 

Drawings

 

photographs

 

represented

 

profession

 
architect
 
department
 

Designs

 
leaded

landscape

 

artistic

 
exhibits
 

architectural

 

exhibitors

 

interior

 

Americans

 

English

 
competition
 
farmhouse

exhibited

 

French

 
American
 
countries
 

attractive

 

striking

 

established

 
grounds
 

public

 

gardens


private

 

Technology

 

inroad

 

showed

 
garden
 

scenes

 
exhibit
 

hitherto

 
architecture
 

Massachusetts


Institute

 

studies

 

finished

 
photos
 

increasing

 

organized

 

individuals

 

reached

 

officially

 
appreciation