and
practical idealists is above and beyond computation as a proper
exposition attraction. It was a great surprise to the millions
of people who saw the excellence of talent that was shown by the
women artists, and the fact that women did it elevated the
sentiment and appreciation of art. Indeed, without the work of
women officially organized, and as individuals, it could not
have reached, as it did, the height of success.
Group 12, Miss Rose Weld, Newport News, Va., Juror.
Under the group heading "Architecture" the four classes into
which it was divided represented: Drawings, models, and
photographs of completed buildings. Designs and projects of
buildings. (Designs other than of architectural or constructive
engineering.) Drawings, models, and photographs of artistic
architectural details. Mosaics; leaded and Mosaic glass.
It is unfortunate that in this department the extent in which women
share in the kind of work represented in this group was not
demonstrated. While there are not many women architects of buildings as
yet, it is believed that the number is rapidly increasing, and within
the past ten years it has been discovered that their aptitude for
designing and working in leaded glass is of the highest, their artistic
tendencies rendering them peculiarly adapted to this kind of work.
Miss Weld reports as follows:
In this department there were only two women exhibitors, both
Americans. The English and French exhibits were not open for
competition, but, so far as I could find out, there were no
exhibits by women from either of these countries.
One of the American women exhibited as an architect some
attractive plans and interior views for a farmhouse. The other,
as a landscape architect, some photos of garden scenes.
This last exhibit was the more striking of the two, as it showed
that in the last few years women had made inroad into another
profession hitherto left to the men.
Miss Brown only finished her studies in landscape architecture
at the Massachusetts Institute of Technology in 1903, where she
was one of the first three women to take the course, a course
only established within the last few years, so that there has
not been much time in which to show what women can do in the
profession. It is only a step from private gardens to public
parks and grounds.
Until la
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