her.
She would be his before very long, she loved him, everything pointed
that way. The conquest of this haughty queen of the society would be
his one revenge on the whole houseful of booby clodpates."
Chatelet talked of his passion in the tone of a man who would have a
rival's life if he crossed his path. The elderly butterfly of the
Empire came down with his whole weight on the poor poet, and tried to
frighten and crush him by his self-importance. He grew taller as he
gave an embellished account of his perilous wanderings; but while he
impressed the poet's imagination, the lover was by no means afraid of
him.
In spite of the elderly coxcomb, and regardless of his threats and
airs of a _bourgeois_ bravo, Lucien went back again and again to the
house--not too often at first, as became a man of L'Houmeau; but
before very long he grew accustomed to the vast condescension, as it
had seemed to him at the outset, and came more and more frequently.
The druggist's son was a completely insignificant being. If any of the
_noblesse_, men or women, calling upon Nais, found Lucien in the room,
they met him with the overwhelming graciousness that well-bred people
use towards their inferiors. Lucien thought them very kind for a time,
and later found out the real reason for their specious amiability. It
was not long before he detected a patronizing tone that stirred his
gall and confirmed him in his bitter Republicanism, a phase of opinion
through which many a would-be patrician passes by way of prelude to
his introduction to polite society.
But was there anything that he would not have endured for Nais?--for
so he heard her named by the clan. Like Spanish grandees and the old
Austrian nobility at Vienna, these folk, men and women alike, called
each other by their Christian names, a final shade of distinction in
the inmost ring of Angoumoisin aristocracy.
Lucien loved Nais as a young man loves the first woman who flatters
him, for Nais prophesied great things and boundless fame for Lucien.
She used all her skill to secure her hold upon her poet; not merely
did she exalt him beyond measure, but she represented him to himself
as a child without fortune whom she meant to start in life; she
treated him like a child, to keep him near her; she made him her
reader, her secretary, and cared more for him than she would have
thought possible after the dreadful calamity that had befallen her.
She was very cruel to herself in those day
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