sty is not exempt from coquetry. David was afraid to
utter a word that might seem to beg for thanks; everything that he
could think of put him in some false position, so he held his tongue
and looked guilty. Eve, guessing the agony of modesty, was enjoying
the pause; but when David twisted his hat as if he meant to go, she
looked at him and smiled.
"Monsieur David," she said, "if you are not going to pass the evening
at Mme. de Bargeton's, we can spend the time together. It is fine;
shall we take a walk along the Charente? We will have a talk about
Lucien."
David longed to fling himself at the feet of this delicious girl. Eve
had rewarded him beyond his hopes by that tone in her voice; the
kindness of her accent had solved the difficulties of the position,
her suggestion was something better than praise; it was the first
grace given by love.
"But give me time to dress!" she said, as David made as if to go at
once.
David went out; he who all his life long had not known one tune from
another, was humming to himself; honest Postel hearing him with
surprise, conceived a vehement suspicion of Eve's feelings towards the
printer.
The most trifling things that happened that evening made a great
impression on Lucien, and his character was peculiarly susceptible to
first impressions. Like all inexperienced lovers he arrived so early
that Louise was not in the drawing-room; but M. de Bargeton was there,
alone. Lucien had already begun to serve his apprenticeship in the
practice of the small deceits with which the lover of a married woman
pays for his happiness--deceits through which, moreover, she learns
the extent of her power; but so far Lucien had not met the lady's
husband face to face.
M. de Bargeton's intellect was of the limited kind, exactly poised on
the border line between harmless vacancy, with some glimmerings of
sense, and the excessive stupidity that can neither take in nor give
out any idea. He was thoroughly impressed with the idea of doing his
duty in society; and, doing his utmost to be agreeable, had adopted
the smile of an opera dancer as his sole method of expression.
Satisfied, he smiled; dissatisfied, he smiled again. He smiled at good
news and evil tidings; with slight modifications the smile did duty on
all occasions. If he was positively obliged to express his personal
approval, a complacent laugh reinforced the smile; but he never
vouchsafed a word until driven to the last extremity. A
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