do not belong to the same individual. A sentiment takes possession of my
soul with the rapidity of lightning, but instead of illuminating, it
dazzles and confounds me; I feel all, but see nothing; I am warm, but
stupid; to think I must be cool. What is astonishing, my conception is
clear and penetrating, if not hurried: I can make excellent impromptus at
leisure, but on the instant, could never say or do anything worth notice.
I could hold a tolerable conversation by the post, as they say the
Spaniards play at chess, and when I read that anecdote of a duke of
Savoy, who turned himself round, while on a journey, to cry out 'a votre
gorge, marchand de Paris!' I said, "Here is a trait of my character!"

This slowness of thought, joined to vivacity of feeling, I am not only
sensible of in conversation, but even alone. When I write, my ideas are
arranged with the utmost difficulty. They glance on my imagination and
ferment till they discompose, heat, and bring on a palpitation; during
this state of agitation, I see nothing properly, cannot write a single
word, and must wait till it is over. Insensibly the agitation subsides,
the chaos acquires form, and each circumstance takes its proper place.
Have you never seen an opera in Italy? where during the change of scene
everything is in confusion, the decorations are intermingled, and any one
would suppose that all would be overthrown; yet by little and little,
everything is arranged, nothing appears wanting, and we feel surprised to
see the tumult succeeded by the most delightful spectacle. This is a
resemblance of what passes in my brain when I attempt to write; had I
always waited till that confusion was past, and then pointed, in their
natural beauties, the objects that had presented themselves, few authors
would have surpassed me.

Thence arises the extreme difficulty I find in writing; my manuscripts,
blotted, scratched, and scarcely legible, attest the trouble they cost
me; nor is there one of them but I have been obliged to transcribe four
or five times before it went to press. Never could I do anything when
placed at a table, pen in hand; it must be walking among the rocks, or in
the woods; it is at night in my bed, during my wakeful hours, that I
compose; it may be judged how slowly, particularly for a man who has not
the advantage of verbal memory, and never in his life could retain by
heart six verses. Some of my periods I have turned and returned in my
head