r jewelry marts are filled with artists in
mosaic. Florentine mosaics are the choicest in all the world. Florence
loves to have that said. Florence is proud of it. Florence would foster
this specialty of hers. She is grateful to the artists that bring to her
this high credit and fill her coffers with foreign money, and so she
encourages them with pensions. With pensions! Think of the lavishness
of it. She knows that people who piece together the beautiful trifles
die early, because the labor is so confining, and so exhausting to hand
and brain, and so she has decreed that all these people who reach the age
of sixty shall have a pension after that! I have not heard that any of
them have called for their dividends yet. One man did fight along till
he was sixty, and started after his pension, but it appeared that there
had been a mistake of a year in his family record, and so he gave it up
and died.

These artists will take particles of stone or glass no larger than a
mustard seed, and piece them together on a sleeve button or a shirt stud,
so smoothly and with such nice adjustment of the delicate shades of color
the pieces bear, as to form a pigmy rose with stem, thorn, leaves, petals
complete, and all as softly and as truthfully tinted as though Nature had
builded it herself. They will counterfeit a fly, or a high-toned bug, or
the ruined Coliseum, within the cramped circle of a breastpin, and do it
so deftly and so neatly that any man might think a master painted it.

I saw a little table in the great mosaic school in Florence--a little
trifle of a centre table--whose top was made of some sort of precious
polished stone, and in the stone was inlaid the figure of a flute, with
bell-mouth and a mazy complication of keys. No painting in the world
could have been softer or richer; no shading out of one tint into another
could have been more perfect; no work of art of any kind could have been
more faultless than this flute, and yet to count the multitude of little
fragments of stone of which they swore it was formed would bankrupt any
man's arithmetic! I do not think one could have seen where two particles
joined each other with eyes of ordinary shrewdness. Certainly we could
detect no such blemish. This table-top cost the labor of one man for ten
long years, so they said, and it was for sale for thirty-five thousand
dollars.

We went to the Church of Santa Croce, from time to time, in Florence, to
weep over