nd where tradition says he caused a spring of water to flow in order
that he might baptize them. But when they showed us the print of Peter's
face in the hard stone of the prison wall and said he made that by
falling up against it, we doubted. And when, also, the monk at the
church of San Sebastian showed us a paving-stone with two great
footprints in it and said that Peter's feet made those, we lacked
confidence again. Such things do not impress one. The monk said that
angels came and liberated Peter from prison by night, and he started away
from Rome by the Appian Way. The Saviour met him and told him to go
back, which he did. Peter left those footprints in the stone upon which
he stood at the time. It was not stated how it was ever discovered whose
footprints they were, seeing the interview occurred secretly and at
night. The print of the face in the prison was that of a man of common
size; the footprints were those of a man ten or twelve feet high. The
discrepancy confirmed our unbelief.

We necessarily visited the Forum, where Caesar was assassinated, and also
the Tarpeian Rock. We saw the Dying Gladiator at the Capitol, and I
think that even we appreciated that wonder of art; as much, perhaps, as
we did that fearful story wrought in marble, in the Vatican--the Laocoon.
And then the Coliseum.

Every body knows the picture of the Coliseum; every body recognizes at
once that "looped and windowed" band-box with a side bitten out. Being
rather isolated, it shows to better advantage than any other of the
monuments of ancient Rome. Even the beautiful Pantheon, whose pagan
altars uphold the cross, now, and whose Venus, tricked out in consecrated
gimcracks, does reluctant duty as a Virgin Mary to-day, is built about
with shabby houses and its stateliness sadly marred. But the monarch of
all European ruins, the Coliseum, maintains that reserve and that royal
seclusion which is proper to majesty. Weeds and flowers spring from its
massy arches and its circling seats, and vines hang their fringes from
its lofty walls. An impressive silence broods over the monstrous
structure where such multitudes of men and women were wont to assemble in
other days. The butterflies have taken the places of the queens of
fashion and beauty of eighteen centuries ago, and the lizards sun
themselves in the sacred seat of the Emperor. More vividly than all the
written histories, the Coliseum tells the story of Rome's grandeur and