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om, as the empire was of glory; and what they borrow from foreigners undergoes the same process. They take top-boots and mackintoshes from across the water, and caricature our fashions; they read a little, very little, Shakespeare, and caricature our poetry: and while in David's time art and religion were only a caricature of Heathenism, now, on the contrary, these two commodities are imported from Germany; and distorted caricatures originally, are still farther distorted on passing the frontier. I trust in heaven that German art and religion will take no hold in our country (where there is a fund of roast-beef that will expel any such humbug in the end); but these sprightly Frenchmen have relished the mystical doctrines mightily; and having watched the Germans, with their sanctified looks, and quaint imitations of the old times, and mysterious transcendental talk, are aping many of their fashions; as well and solemnly as they can: not very solemnly, God wot; for I think one should always prepare to grin when a Frenchman looks particularly grave, being sure that there is something false and ridiculous lurking under the owl-like solemnity. When last in Paris, we were in the midst of what was called a Catholic reaction. Artists talked of faith in poems and pictures; churches were built here and there; old missals were copied and purchased; and numberless portraits of saints, with as much gilding about them as ever was used in the fifteenth century, appeared in churches, ladies' boudoirs, and picture-shops. One or two fashionable preachers rose, and were eagerly followed; the very youth of the schools gave up their pipes and billiards for some time, and flocked in crowds to Notre Dame, to sit under the feet of Lacordaire. I went to visit the Church of Notre Dame de Lorette yesterday, which was finished in the heat of this Catholic rage, and was not a little struck by the similarity of the place to the worship celebrated in it, and the admirable manner in which the architect has caused his work to express the public feeling of the moment. It is a pretty little bijou of a church: it is supported by sham marble pillars; it has a gaudy ceiling of blue and gold, which will look very well for some time; and is filled with gaudy pictures and carvings, in the very pink of the mode. The congregation did not offer a bad illustration of the present state of Catholic reaction. Two or three stray people were at prayers; there was no
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