space there. Janoo is
a lady of a freethinking turn of mind. She whispered that the jadoo was
an invention to get money out of Suddhoo, and that the seal-cutter would
go to a hot place when he died. Suddhoo was nearly crying with fear
and old age. He kept walking up and down the room in the half light,
repeating his son's name over and over again, and asking Azizun if
the seal-cutter ought not to make a reduction in the case of his own
landlord. Janoo pulled me over to the shadow in the recess of the carved
bow-windows. The boards were up, and the rooms were only lit by one tiny
lamp. There was no chance of my being seen if I stayed still.
Presently, the groans below ceased, and we heard steps on the staircase.
That was the seal-cutter. He stopped outside the door as the terrier
barked and Azizun fumbled at the chain, and he told Suddhoo to blow out
the lamp. This left the place in jet darkness, except for the red glow
from the two huqas that belonged to Janoo and Azizun. The seal-cutter
came in, and I heard Suddhoo throw himself down on the floor and groan.
Azizun caught her breath, and Janoo backed to one of the beds with a
shudder. There was a clink of something metallic, and then shot up a
pale blue-green flame near the ground. The light was just enough to show
Azizun, pressed against one corner of the room with the terrier between
her knees; Janoo, with her hands clasped, leaning forward as she sat on
the bed; Suddhoo, face down, quivering, and the seal-cutter.
I hope I may never see another man like that seal-cutter. He was
stripped to the waist, with a wreath of white jasmine as thick as my
wrist round his forehead, a salmon-colored loin-cloth round his middle,
and a steel bangle on each ankle. This was not awe-inspiring. It was
the face of the man that turned me cold. It was blue-gray in the first
place. In the second, the eyes were rolled back till you could only
see the whites of them; and, in the third, the face was the face of
a demon--a ghoul--anything you please except of the sleek, oily old
ruffian who sat in the day-time over his turning-lathe downstairs. He
was lying on his stomach, with his arms turned and crossed behind him,
as if he had been thrown down pinioned. His head and neck were the only
parts of him off the floor. They were nearly at right angles to the
body, like the head of a cobra at spring. It was ghastly. In the centre
of the room, on the bare earth floor, stood a big, deep, brass basi
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