FREE BOOKS

Author's List




PREV.   NEXT  
|<   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218  
219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   >>   >|  
e Benacus, which welcomed him home "wearied with foreign travel." To this period and to his first return to Rome after his visit to his native district belong the poems xlvi., ci., iv., xxxi. and x., all showing by their freshness of feeling and vivid truth of expression the gain which the poet's nature derived from his temporary escape from the passions, distractions and animosities of Roman society. Two poems, written in a very genial and joyous spirit, and addressed to his younger friend Licinius Calvus (xiv. and l.), who is ranked as second only to himself among the lyrical poets of the age, and whose youthful promise pointed him out as likely to become one of the greatest of Roman orators, may, indeed, with most probability be assigned to these later years (xiv.). From the expression "Odissem te odio Vatiniano," in the third line of xiv., it may be inferred that the poem was written not earlier than December (the "Saturnalia") of the year 56 B.C., as it was early in that year, as we learn from a letter of Cicero to his brother Quintus (ii. 4. 1), that Calvus first announced his intention of prosecuting Vatinius. The short poem numbered liii. would be written in August 54 B.C. The poems which have left the greatest stain on the fame of Catullus--those "referta contumeliis Caesaris," the licentious abuse of Mamurra, and probably some of those personal scurrilities addressed to women as well as men, or too frank confessions, which posterity would willingly have let die, may well have been written in the last years of his life, under the influence of the bitterness and recklessness induced by his experience. It cannot be determined with certainty whether the longer and more artistic pieces, which occupy the middle of the volume--the _Epithalamium_ in celebration of the marriage of Manlius Torquatus, the 62nd poem, written in imitation of the Epithalamia of Sappho, "Vesper adest: iuvenes, consurgite"; the _Attis_, and the Epic Idyll representing the marriage festival of Peleus and Thetis--belong to the earlier or the later period of the poet's career. If the person addressed in the first part of the 68th is the Manlius of the _Epithalamium_, and the lines from 3 to 8-- "Naufragum ut eiectum ... pervigilat," refer to the death of Vinia, it would follow that the first Epithalamium was written some time before that poem, and thus belongs to the earlier time. While the translations of Sappho,-- "Ille mi par esse de
PREV.   NEXT  
|<   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218  
219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   >>   >|  



Top keywords:
written
 

earlier

 

Epithalamium

 

addressed

 
Manlius
 
greatest
 

Calvus

 

period

 

Sappho

 
marriage

belong

 

expression

 

posterity

 

influence

 

bitterness

 

translations

 

confessions

 

willingly

 

Catullus

 
referta

contumeliis
 

August

 

Caesaris

 

licentious

 

scurrilities

 

personal

 

Mamurra

 

Peleus

 

festival

 
Thetis

career

 
follow
 
representing
 

consurgite

 
person
 
eiectum
 
pervigilat
 

Naufragum

 
iuvenes
 

longer


artistic

 
pieces
 

occupy

 

certainty

 

determined

 

induced

 

experience

 

middle

 

volume

 

imitation