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The Project Gutenberg EBook of The Atlantic Monthly, Volume 15, No. 88, February, 1865, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Atlantic Monthly, Volume 15, No. 88, February, 1865 Author: Various Release Date: October 2, 2009 [EBook #30157] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY, FEBRUARY 1865 *** Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by Cornell University Digital Collections.) THE ATLANTIC MONTHLY. _A Magazine of Literature, Art, and Politics._ VOL. XV.--FEBRUARY, 1865.--NO. LXXXVIII. Entered according to Act of Congress, in the year 1865, by TICKNOR AND FIELDS, in the Clerk's Office of the District Court of the District of Massachusetts. OUR FIRST GREAT PAINTER, AND HIS WORKS. On the 8th of July, 1843, Washington Allston died. Twenty-one years have since gone by; and already his name has a fine flavor of the past added to its own proper aroma. In twenty-one years Art has made large advances, but not in the direction of imagination. In that rare and precious quality the works of Allston remain preeminent as before. It is now so long ago as 1827 that the first exhibition of pictures at the Boston Athenaeum took place; and then and there did Allston first become known to his American public. Returned from Europe after a long absence, he had for some years been living a retired, even a recluse life, was personally known to a few friends, and by name only to the public. The exhibition of some of his pictures on this occasion made known his genius to his fellow-citizens; and who, having once felt the strange charm of that genius, but recalls with joyful interest the happy hour when he was first brought under its influence? I well remember, even at this distance in time, the mystic, charmed presence that hung about the "Jeremiah dictating his Prophecy to Baruch the Scribe," "Beatrice," "The Flight of Florimel," "The Triumphal Song of Miriam on the Destruction of Pharaoh and his Host in the Red Sea," and "The Valentine." I wa
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