once
be said that there is very little difference between him who preaches
from the pulpit and him who sits down and talks with you in his own
house.
The Bishop of Ripon is acknowledged to be one of the most eloquent
preachers of the day. He is as gentle in his manner as he is convincing
in his utterances. He is utterly free from anything suggestive of an
over-estimated "I." He seems always to speak from his heart, and
continually with the single thought of never giving a hurtful word. In
truth, he is as impressive in the home as in the cathedral. Yet, when he
is at home, there are his children, young and old. He is heart and soul
with them in their play. Little Beatrice--whose pet name is Daisy--and
five-year-old Douglas--familiarly known as Chappie--already know that
there are merry games to be enjoyed in which their father watches over
both.
We spent the evening after dinner in going through the house. The
Palace, Ripon, is a semi-modern building, having been built some fifty
years ago. The first stone was laid on Monday, 1st October, 1838, by
Bishop Longley, and its correct entire cost was L14,059 1s. 8d. Its
rooms are large and handsome. The entrance-hall abounds in flowers and
ferns, and contains at least two valuable canvases. One is a life-size
picture by Grant of Archbishop Longley--the first Bishop--the other, by
Watts, is that of Bishop Bickersteth, the second Bishop. Both of these
are heirlooms of the See of Ripon. Just beyond is a second hall, where
is the great oak staircase leading to the rooms above. This corner is
rich in etchings and engravings. Paul Sandby, R.A., is well represented
with his "Windsor"; works by Aumonier, Fred Slocombe, Charles Murray,
David Law, Joseph Knight, Meissonier, and a striking etching of
Napoleon, by Ruet, are noticeable. There are many quaint old views of
"Ripon Minster," a Soudanese sword which one of the Bishop's sons
brought from Egypt, whilst on a table is a very clever model of the
Bishop's father's church at Liverpool. It was made by an invalid lady,
and her ingenious fingers have handled the cardboard and gum most
artistically.
[Illustration: THE ENTRANCE HALL.
_From a Photo. by Elliott & Fry._]
Immediately opposite to the hall is the Holden Library. A picture of the
Rev. J. Holden, who not only founded it, but left a small endowment to
keep it in good order, hangs over the fireplace. Here the clergy of the
diocese may come and consult the volumes. It is
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