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by the modern spade) packed, sent off, made presents of, sold to all the churches and convents of Christendom; bits of bones in cotton wool, with faded labels, in glass cases, such as we see in sacristies, &c., or enclosed in glories of enamel and gold! But all gone, gone, those poor humble inhabitants, who were so anxious to be entire for the resurrection of the body!--patrician ladies, slaves, soldiers, eunuchs, theologians--all gone piecemeal all over the distant earth! the corridors swept and empty, the pigeon-holes with only a little brown cocoa-like dust! It was raining all day, dull, dismal. Yet coming out of that place, out of that brown crumbly darkness, what was not the interest of the wet grey sky! How great the beauty, the movements of the lazy clouds! How complex and lovely the bare lane of wattled dry reeds--the ineffable exquisiteness of patches of green corn, of a few scant pink blossoms, of the shoots of elder! I remember the solemnity of the subterranean tombs at Perugia; the grisliness of the Beauchamp crypt at Warwick. But these catacombs, emptiness, desolation and that old brown lilacky, crumbly Roman earth, in which no plough need move nor spade,--that _terriccio_, that pot-mould of the past. _March_ 16. V. THE RIONE MONTI. Yesterday, in gusty weather, wandered round muddy streets of Rione Monti, and entered some churches. S.S. Cosmae Damiano in Forum: it has got lost, so to speak, in the excavations, and you seek it through blind alleys and a long dark passage--a dirty, tawdry church, with a few frowsy, sluttish people; and behind the ballroom chandeliers above the altar, a Ravenna apse, gold and blue; and lambs in procession on a green ground. Then S. Pietro in Vincoli, which has a delightful position, with its big palm and tower and a certain Romantic Catherine Sforza character; also, what always refreshes me in Rome, its early Renaissance character, before Jesuits, &c. &c., an imported thing from Tuscany, and the fact of the tomb of the Pollajuolos! Michel Angelo's _Moses_ somehow belongs to Rome--has Rome's grandeur, emphasis, and Rome's theatrical quality. All round are buried seventeenth-century prelates. Cinthio Aldobrandini, &c., setting forth glories, but with skeletons as supporters! Decidedly Rome was never more Roman than at present--the pulling down and building and excavating, the inappropriate jostlings of time and character merely add to the eternal qua
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