FREE BOOKS

Author's List




PREV.   NEXT  
|<   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   52   53   54   55   56   57   58   59   >>  
ican of the nineteenth. Not only all roads in space, but all roads across Time, converge hither. _March_ 11. III. SANTA BALBINA. Went to take the English seeds to the gardener at S. Saba, and got in return some plants of border pinks. The most poetical and real place in all Rome. Afterwards bicycled to S. Balbina. Impression of primitive church (the outside has from a distance a look as of something in a Pinturicchio fresco) given over to the Franciscan nuns--thirty--who look after two hundred unruly girls off the streets. Their thick grey cloaks are folded on the pews; images, screens, lecterns, all the litter of a priestly lumber-room, poked here and there, a little portable iron pulpit, not unlike a curtained washstand, in front of a beautiful tomb of a grave mediaeval person above a delicate mosaic of the Cosmatis, and a small coloured Rue Bonaparte St. Joseph on the episcopal mosaic throne in the apse! _March_ 15. IV. THE CATACOMBS. To-day Catacombs of S. Domitilla in Via Sette Chiese, with Maria, Guido and Pascarella. The impression of walking for miles by taper-light between those close walls of brown friable stone, or that soft dusty ground, in a warm vague stifling air; the monotonous rough sides, the monotonous corners, the widenings in and out of little Galla Placidia-like crypts, with rough hewn pillars and faded frescoes; of the irregularly cut pigeon-holes, where bits of bone moulder, and the brown earth seems half composed of bone. That brown soft earth of the Catacombs, the stuff you would scratch off the damp walls with your nail; rotting stone, rotting bone: the very soil of Rome lilackish like cocoa, friable, light, which used somehow to give me the horrors already as a child; the soil in which the gardener of S. Saba grows his pinks and freesias without a spade or hoe visible anywhere; the soil which seems to demand no plough; the farthest possible from the honest and stiff clay, demanding human work, of nature; the Roman soil, a _compost_, as Whitman would say, ready manured! The work of man in this earth (of which a pinch transported into church front or roof produces great tufts of fennel and wild mignonette), the work of man in it merely to have died! No sense of the ages in these Catacombs, or of the solemnity of death, or of the sweetness of religion; black narrow passages gutted for centuries, the poor wretched human remains (save those few turned up
PREV.   NEXT  
|<   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   52   53   54   55   56   57   58   59   >>  



Top keywords:
Catacombs
 

church

 
rotting
 

mosaic

 
gardener
 
friable
 
monotonous
 

stifling

 

lilackish

 

scratch


frescoes

 

irregularly

 

pigeon

 

Placidia

 

pillars

 

moulder

 

crypts

 

composed

 

corners

 

widenings


produces

 

fennel

 

mignonette

 

solemnity

 
remains
 
wretched
 

turned

 

centuries

 

religion

 

sweetness


narrow

 
gutted
 
passages
 

visible

 

demand

 

ground

 

farthest

 

plough

 

freesias

 
honest

manured
 
transported
 

Whitman

 

compost

 
demanding
 

nature

 

horrors

 

Pascarella

 

Pinturicchio

 
fresco