FREE BOOKS

Author's List




PREV.   NEXT  
|<   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67  
68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   >>   >|  
e wooing of the Lady Anne, the scene in Baynard's Castle, and the ghost scene in the tents at Bosworth, have been praised and re-praised. They are in Shakespeare's normal mood, neither greater nor less than twenty other scenes in the mature plays. The really grand scene of the calling down of the curses (Act I, sc. iii), when the man's mind, after brooding on this event for months, sees it all, for a glowing hour, as the just God sees it, is the wonderful achievement. Think of this scene, and think of the scenes played nightly now in the English theatres, and ask whether all is well with the nation's soul. There are many superb Shakespearean openings. No poet in history opens a play with a more magnificent certainty. The opening of this play-- "Now is the winter of our discontent Made glorious summer by this sun of York," is one of the most splendid of all. There is no need to pick out fragments from the rest of the play, but the march of the line-- "Your fire-new stamp of honour is scarce current"-- the lines-- "then came wandering by A shadow like an angel, with bright hair Dabbled in blood; and he squeaked out aloud, 'Clarence is come; false, fleeting, perjured Clarence, That stabbed me in the field by Tewkesbury'"-- the exquisitely tender lines-- "And there the little souls of Edward's children Whisper the spirits"-- and the orders of Richard in the last act, for white Surrey to be saddled, ink and paper to be brought, and a bowl of wine to be filled, show that the poet's great confident manner was formed, on all the four sides of its perfection. The years only brought it to a deeper glow. _The Merchant of Venice._ _Written._ (?) _Published._ 1600. _Source of the Plot._ The ancient story of the merciless Jew is told in the _Gesta Romanorum_, and re-told, with delicate grace, by Giovanni Fiorentino, a fourteenth-century Italian writer, in his _Il Pecorone_ (the simpleton), a collection of novels, or, as we should call them, short stories. The story of the three caskets is also told in the _Gesta Romanorum_. Other incidents in the play are taken from other sources, possibly from other plays. It is thought by some that the character of Shylock was suggested by the case of the Spanish Jew, Lopez, who was hanged, perhaps unjustly, for plotting to poison Queen Elizabeth, in 1594. T
PREV.   NEXT  
|<   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67  
68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   >>   >|  



Top keywords:

scenes

 
brought
 

praised

 

Clarence

 

Romanorum

 

manner

 
deeper
 

confident

 

formed

 

perfection


saddled

 

tender

 

exquisitely

 
Tewkesbury
 
fleeting
 

perjured

 

stabbed

 

Edward

 

children

 

Merchant


filled
 

Surrey

 
spirits
 

Whisper

 
orders
 
Richard
 

delicate

 

thought

 

character

 
Shylock

possibly
 
sources
 
caskets
 
incidents
 

suggested

 

poison

 

Elizabeth

 

plotting

 

unjustly

 
Spanish

hanged

 

stories

 

Giovanni

 
Fiorentino
 

fourteenth

 

century

 

merciless

 
ancient
 

Published

 

Written