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or wounded: for his body became the support of the stupa and the tree became a beam of the stupa (p. 16). This aspect of the Naga as a tree-demon is rare in India, but common in China and Japan. It seems to be identical with the Mediterranean conception of the pillar of wood or stone, which is both a representative of the Great Mother and the chief support of a temple.[177] In the magnificent city that king Yacahketu saw, when he dived into the sea, "wishing trees that granted every desire" were among the objects that met his vision. There were also palaces of precious stones and gardens and tanks, and, of course, beautiful maidens (de Visser, p. 20). In the Far Eastern stories it is interesting to note the antagonism of the dragon to the tiger, when we recall that the lioness-form of Hathor was the prototype of the earliest malevolent dragon. There are five sorts of dragons: serpent-dragons; lizard-dragons; fish-dragons; elephant-dragons; and toad-dragons (de Visser, p. 23). "According to de Groot, the blue colour is chosen in China because this is the colour of the East, from where the rain must come; this quarter is represented by the Azure Dragon, the highest in rank among all the dragons. We have seen, however, that the original sutra already prescribed to use the blue colour and to face the East.... Indra, the rain-god, is the patron of the East, and Indra-colour is _nila_, dark blue or rather blue-black, the regular epithet of the rain clouds. If the priest had not to face the East but the West, this would agree with the fact that the Nagas were said to live in the western quarter and that in India the West corresponds with the blue colour. Facing the East, however, seems to point to an old rain ceremony in which Indra was invoked to raise the blue-black clouds" (de Visser, pp. 30 and 31). [175: Breasted, _op. cit._, p. 11.] [176: G. W. Eve, "Decorative Heraldry," 1897, p. 35.] [177: Arthur J. Evans, "Mycenaean Tree and Pillar Cult," pp. 88 _et seq._] The Dragon Myth. The most important and fundamental legend in the whole history of mythology is the story of the "Destruction of Mankind". "It was discovered, translated, and commented upon by Naville ("La Destruction des hommes par les Dieux," in the _Transactions of the Society of Biblical Archaeology_, vol. iv., pp. 1-19, reproducing Hay's copies made at the beginning of [the nineteenth] century; and "L'Inscription de la Destruction des h
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