frequently lines fall off the ends of
galleys), that they are in due sequence and "join up," and that the
author's last corrections have been made. He then sees to the
pagination, the running heads at top of each page, and sees that the
foot-notes have been inserted in the pages where they belong and
verifies the reference marks. The author will probably have used the *
[symbol: dagger][symbol: double-dagger] Sec. and they will have been so
set up, as they appeared on each page of the original manuscript. But
when in type and made up into pages they will probably fall
differently, the note bearing the Sec. mark may come on the following
page and of course must be altered to an *, a corresponding change
being made in the text. A much better plan is to number foot-notes 1,
2, 3 and so on, when no alteration on making-up will be required.
The proof-reader must also look after the "widows" and other matters
before mentioned. If the book is set in linotype, the make-up will
have been unable to make these changes. He will simply allow the
proper space and the changes required will be marked by the
proof-reader and a number of pages corrected at a time. This is a
point of economy.
All corrections having been made and revised, proofs are submitted to
the author for his final approval. The author may find it advisable to
make alterations even after his book is made up into pages,
necessitating further revises; but everything finally being in order,
he gives the order to print or to electrotype.
If the pages are to be electrotyped or made into plates, they are
"locked up" in an iron frame called a "chase," two or four together,
and proofs are given to the proof-reader for a final reading.
If the book is to be printed from the type, the pages are "imposed" in
sheets of eight, sixteen, or thirty-two, so arranged that the folios
will be in order when the sheet is folded up. They now make what is
called a "form," and a proof of this--known as the "stone proof"--is
taken for final reading.
The proof-reader now reads the work all through, looking carefully to
the spelling, punctuation, and grammar, as in reading "first proof,"
and more especially looking out for bad or imperfect letters. If many
corrections have been made, the type is very apt to be broken and the
spacing between words to become irregular. All imperfect letters must
be replaced and bad spacing rectified. Then again, commas, hyphens,
periods, and thin letters
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