FREE BOOKS

Author's List




PREV.   NEXT  
|<   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120  
121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   >>   >|  
tona, Lovely Maiden," which is one of the most beautiful part songs in existence. The life of Lassus was full of dignity and honor. He was extremely popular in Munich and in all other parts of Europe. He is to be considered the first great genius in the art of music. [Illustration: Fig. 30. ORLANDO DE LASSUS. (From a contemporary print by the French engraver Amelingue.)] CHAPTER XIV. POLYPHONIC SCHOOLS OF ITALY. PALESTRINA. Italy in the fifteenth century was in a highly prosperous condition. The great commercial cities had a profitable commerce with all parts of the then known world, and great public works had been under way for more than two centuries. The beginning of the Renaissance was marked by the great cathedrals, of which St. Mark's at Venice was a little earlier than Pisa, Siena, Florence and Milan. All these were built before 1300. Vast public works were undertaken in all parts of the country, such as the canal that supplied Milan with water, and irrigated a large part of the plain of Lombardy; the great sea wall of Genoa; roads, bridges, municipal buildings, fortresses and the like. By the beginning of the sixteenth century the art of painting had reached a very high eminence; the master Raphael was already at work, as was also that remarkable genius, Leonardo da Vinci--the most universally gifted artist who ever appeared. Michael Angelo was at work in the Sistine Chapel, and his plans for St. Peter's were partly being carried out. It was in this time that Johannes Tinctor, the Netherlandish composer, founded a music school at Naples. The school itself was short-lived, but it was presently succeeded by four others of a different kind which eventually produced a large number of eminent musicians, several of whom will occupy our attention later. Tinctor's music school appears to have been a private affair. Those which followed it were charitable institutions, taking poor boys from the streets, furnishing them with a living, the rudiments of an education, and musical training enough to make them available in the service of the Church. The founding of these schools took place some time later than the period under immediate discussion. _Santa Maria di Loreto_ was founded in 1535, by a poor artisan of the name of Francisco, who received in his house orphans of both sexes, and caused them to be fed and clothed and instructed in music. He was assisted by donations from the rich, and presently
PREV.   NEXT  
|<   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120  
121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   >>   >|  



Top keywords:
school
 

Tinctor

 

public

 
founded
 

presently

 

century

 
beginning
 

genius

 

eventually

 
number

produced

 

eminent

 

assisted

 
musicians
 
Chapel
 

partly

 

Sistine

 

Angelo

 
artist
 

appeared


Michael

 

carried

 

Naples

 

donations

 

composer

 

Johannes

 

Netherlandish

 

succeeded

 

period

 

caused


schools

 

service

 
Church
 

founding

 

discussion

 
received
 

artisan

 

Loreto

 

orphans

 

affair


charitable

 

gifted

 
private
 

Francisco

 

occupy

 
attention
 

appears

 
institutions
 
taking
 
education