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The Project Gutenberg EBook of Milton's Comus, by John Milton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Milton's Comus Author: John Milton Editor: William Bell Release Date: November 15, 2006 [EBook #19819] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MILTON'S COMUS *** Produced by Curtis Weyant, Louise Pryor and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Case Western Reserve University Preservation Department Digital Library) {Transcriber's notes: ~Bold~ text is surrounded by tildes ~, _italic_ text by underscores _. +Greek+ text is transliterated and surrounded by plus signs +. oe ligatures have been unpacked. Letters with overscores are represented as {=a}, {=e}, {=o}. The use of e and e to indicate stresses is inconsistent, as is the use of ae ligatures. No changes have been made to the original. } MILTON'S COMUS WITH INTRODUCTION AND NOTES BY WILLIAM BELL, M.A. PROFESSOR OF PHILOSOPHY AND LOGIC, GOVERNMENT COLLEGE, LAHORE London MACMILLAN AND CO AND NEW YORK 1891 [_All rights reserved_] First Edition, 1890. Reprinted, 1891. CONTENTS. PAGE INTRODUCTION, vii COMUS, 7 NOTES, 38 INDEX TO THE NOTES, 113 INTRODUCTION. Few poems have been more variously designated than _Comus_. Milton himself describes it simply as "A Mask"; by others it has been criticised and estimated as a lyrical drama, a drama in the epic style, a lyric poem in the _form_ of a play, a phantasy, an allegory, a philosophical poem, a suite of speeches or majestic soliloquies, and even a didactic poem. Such variety in the description of the poem is explained partly by its complex charm and many-sided interest, and partly by the desire to describe it from that point of view which should best reconcile its literary form with what we know of the genius and powers of its author. T
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