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ral sympathy with power;' and if Madame Dudevant[123] is not the first female genius of any country or age, I really do not know who is. And then she has certain noblenesses--granting all the evil and 'perilous stuff'--noblenesses and royalnesses which make me loyal. Do pardon me for intruding all this on you, though you cannot justify me--_you_, who are occupied beyond measure, and _I_, who know it! I have been under the delusion, too, during this writing, of having something like a friend's claim to write and be troublesome. I have lived so near your friends that I keep the odour of them! A mere delusion, alas! my only personal right in respect to you being one that I am not likely to forget or waive--the right of being grateful to you. But so, and looking again at the last words of your letter, I see that you 'wish,' in the kindest of words, 'to do something more for me.' I hope some day to take this 'something more' of your kindness out in the pleasure of personal intercourse; and if, in the meantime, you should consent to flatter my delusion by letting me hear from you now and then, if ever you have a moment to waste and inclination to waste it, why I, on my side, shall always be ready to thank you for the 'something more' of kindness, as bound in the duty of gratitude. In any case I remain Truly and faithfully yours, ELIZABETH B. BARRETT. [Footnote 122: Probably Miss Anne Seward, a minor poetess who enjoyed considerable popularity at the end of the eighteenth century. Her elegies on Captain Cook and Major Andre went through several editions, as did her _Louisa_, a poetical novel, a class of composition in which she was the predecessor of Mrs. Browning herself. Her collected poetical works were edited after her death by Sir Walter Scott (1810).] [Footnote 123: The real name of George Sand.] _To Mr. Chorley_ [_The beginning of this letter is lost_] [1845] ... to the awful consideration of the possibility of my reading a novel or caring for the story of it (_proh pudor!_), that I am probably, not to say certainly, the most complete and unscrupulous romance reader within your knowledge. Never was a child who cared more for 'a story' than I do; never even did I myself, _as_ a child, care more for it than I do. My love of fiction began with my breath, and will end with it; and goes on increasing; and the heights and depths of the consumption which it has induced you may guess at perhaps, but it is a s
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