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r. The man we have to deal with had something excessive about him; he was headstrong, tactless, impractical, enormously energetic, a prodigious worker, a conceiver of grandiose projects, and a relentless hunter of patrons. He was at home with his social superiors and had some pretentions to literary culture, he had a coarse gift for the vivid phrase in writing, and his tastes in art ran to the classic and heroic. This study includes an illustrated catalog of Jackson's chiaroscuros and color prints. Previous catalogs, notably those of Nagler, Le Blanc, and Heller, have listed no more than twenty-five works. The present catalog more than triples this number. To acknowledge fully the assistance given by museum curators, librarians, archivists, and scholars on both sides of the Atlantic would necessitate a very long list of names. However, I wish especially to thank Mr. Peter A. Wick of the Museum of Fine Arts, Boston, who has been generous enough to allow me to read his well-documented paper on Jackson's Ricci prints; Mr. A. Hyatt Mayor of the Metropolitan Museum of Art; Mr. Carl Zigrosser of the Philadelphia Museum of Art; Miss Anna C. Hoyt and Mrs. Anne B. Freedberg of the Museum of Fine Arts, Boston; Dr. Jakob Rosenberg and Miss Ruth S. Magurn of the Fogg Art Museum; Mr. Karl Kup of the New York Public Library; Miss Elizabeth Mongan of the Rosenwald Collection, National Gallery of Art; Miss Una E. Johnson of the Brooklyn Museum; Mr. Gustave von Groschwitz of the Cincinnati Art Museum; and Dr. Philip W. Bishop of the U.S. National Museum, Smithsonian Institution. I am particularly grateful to curators of European collections, who have been uniformly generous in their assistance. Special thanks are due Mr. J. A. Gere of the British Museum and Mr. James Laver of the Victoria and Albert Museum, who have gone to considerable trouble to acquaint me with their great collections. Others whose help must be particularly noted are Mr. Peter Murray, Courtauld Institute of Art, University of London; Mme. R. Maquoy-Hendrickx of the Bibliotheque Royale de Belgique, Brussels; Dr. Vladimir Novotny of the Narodni Galerie, Prague; Dr. Wegner of the Graphische Sammlung, Munich; Dr. Wolf Stubbe of the Kunsthalle, Hamburg; Dr. G. Busch of the Kunsthalle, Bremen; Dr. Hans Moehle of the Staatliche Museen, Berlin; Dr. Menz of the Staatliche Kunstsammlungen, Dresden; Miss B. L. D. Ihle of the Boymans Museum, Rotterdam; and M. Jean Adhema
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