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lo's, and she pushed her alarm to imagine the deadliest, and plead for the right of confession to herself of her unrepented regrets. She and Matey Weyburn had parted without any pressure of hands, without a touch. They were, then, unplighted if now the grave divided them! No touch: mere glances! And she sighed not, as she pleaded, for the touch, but for the plighting it would have been. If now she had lost him, he could never tell herself that since the dear old buried and night-walking schooldays she had said once Matey to him, named him once to his face Matey Weyburn. A sigh like the roll of a great wave breaking against a wall of rock came from her for the possibly lost chance of naming him to his face Matey,--oh, and seeing his look as she said it! The boldness might be fancied: it could not be done. Agreeing with the remote inner voice of her reason so far, she toned her exclamatory foolishness to question, in Reason's plain, deep, basso-profundo accompaniment tone, how much the most blessed of mortal women could do to be of acceptable service to a young schoolmaster? There was no reply to the question. But it became a nestling centre for the skiey flock of dreams, and for really temperate soundings of her capacities, tending to the depreciatory. She could do little. She entertained the wish to work, not only 'for the sake of Somebody,' as her favourite poet sang, but for the sake of working and serving--proving that she was helpfuller than a Countess of Ormont, ranged with all the other countesses in china and Dresden on a drawing-room mantelpiece for show. She could organize, manage a household, manage people too, she thought: manage a husband? The word offends. Perhaps invigorate him, here and there perhaps inspire him, if he would let her breathe. Husbands exist who refuse the right of breathing to their puppet wives. Above all, as it struck her, she could assist, and be more than an echo of one nobler, in breathing manliness, high spirit, into boys. With that idea she grazed the shallows of reality, and her dreams whirred from the nest and left it hungrily empty. Selina Collett was writing under the verandah letters to her people in Suffolk, performing the task with marvellous ease. Aminta noted it as a mark of superior ability, and she had the envy of the complex nature observing the simple. It accused her of some guiltiness, uncommitted and indefensible. She had pushed her anxiety about 'the accident
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