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y Gray, whatever kind of vision that was. And Fanchon discovered that it was a great many kinds. The transfer was made comfortably, with nice judgment of a respectable interregnum, and to the greater happiness of each of the three young people; no objection ensuing from the easy-going parents, who were devotedly fond of Crailey, while the town laughed and said it was only that absurd Crailey Gray again. He and Virginia were the best of friends, and accepted their new relation with a preposterous lack of embarrassment. To be in love with Crailey became Fanchon's vocation; she spent all her time at it, and produced a blurred effect upon strangers. The only man with whom she seemed quite alive was Vanrevel: a little because Tom talked of Crailey, and a great deal because she could talk of Crailey to Tom; could tell him freely, as she could tell no one else, how wonderful Crailey was, and explain to him her lover's vagaries on the ground that it was a necessity of geniuses to be unlike the less gifted. Nor was she alone in suspecting Mr. Gray of genius: in the first place, he was so odd; in the second, his poems were "already attracting more than local attention," as the Journal remarked, generously, for Crailey had ceased to present his rhymes to that valuable paper. Ay! Boston, no less, was his mart. He was rather radical in his literary preferences, and hurt the elder Chenoweth's feelings by laughing heartily at some poems of the late Lord Byron; offended many people by disliking the style of Sir Edward Bulwer, and even refused to admit that James Fenimore Cooper was the greatest novelist that ever lived. But these things were as nothing compared with his unpatriotic defence of Charles Dickens. Many Americans had fallen into a great rage over the vivacious assault upon the United States in "Martin Chuzzlewit;" nevertheless, Crailey still boldly hailed him (as everyone had heretofore agreed) the most dexterous writer of his day and the most notable humorist of any day. Of course the Englishman had not visited and thoroughly studied such a city as Rouen, Crailey confessed, twinklingly; but, after all, wasn't there some truth in "Martin Chuzzlewit?" Mr. Dickens might have been far from a clear understanding of our people; but didn't it argue a pretty ticklish vanity in ourselves that we were so fiercely resentful of satire; and was not this very heat over "Martin Chuzzlewit" a confirmation of one of the points the book
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