e
their minds to harmony, and awake the voice of song in them hearts. The
battles which the Scotch and Irish fought to replace the luckless Stuarts
upon the British throne--the bloody rebellions of 1715 and 1745, left a
rich legacy of sweet song, the outpouring of loving, passionate loyalty
to a wretched cause; songs which are today esteemed and sung wherever the
English language is spoken, by people who have long since forgotten what
burning feelings gave birth to their favorite melodies.

For a century the bones of both the Pretenders have moldered in alien
soil; the names of James Edward, and Charles Edward, which were once
trumpet blasts to rouse armed men, mean as little to the multitude of
today as those of the Saxon Ethelbert, and Danish Hardicanute, yet the
world goes on singing--and will probably as long as the English language
is spoken--"Wha'll be King but Charlie?" "When Jamie Come Hame," "Over
the Water to Charlie," "Charlie is my Darling," "The Bonny Blue Bonnets
are Over the Border," "Saddle Your Steeds and Awa," and a myriad others
whose infinite tenderness and melody no modern composer can equal.

Yet these same Scotch and Irish, the same Jacobite English, transplanted
on account of their chronic rebelliousness to the mountains of Virginia,
the Carolinas, and Georgia, seem to have lost their tunefulness, as some
fine singing birds do when carried from their native shores.

The descendants of those who drew swords for James and Charles at Preston
Pans and Culloden dwell to-day in the dales and valleys of the
Alleganies, as their fathers did in the dales and valleys of the
Grampians, but their voices are mute.

As a rule the Southerners are fond of music. They are fond of singing
and listening to old-fashioned ballads, most of which have never been
printed, but handed down from one generation to the other, like the
'Volklieder' of Germany. They sing these with the wild, fervid
impressiveness characteristic of the ballad singing of unlettered people.
Very many play tolerably on the violin and banjo, and occasionally one is
found whose instrumentation may be called good. But above this hight
they never soar. The only musician produced by the South of whom the
rest of the country has ever heard, is Blind Tom, the negro idiot. No
composer, no song writer of any kind has appeared within the borders of
Dixie.

It was a disappointment to me that even the stress of the war, the
passion and fiercen