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Project Gutenberg's Taras Bulba and Other Tales, by Nikolai Vasilievich Gogol This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Taras Bulba and Other Tales Author: Nikolai Vasilievich Gogol Commentator: John Cournos Posting Date: September 15, 2008 [EBook #1197] Release Date: February, 1998 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK TARAS BULBA AND OTHER TALES *** Produced by John Bickers TARAS BULBA AND OTHER TALES By Nikolai Vasilievich Gogol Introduction by John Cournos Contents: Taras Bulba St. John's Eve The Cloak How the Two Ivans Quarrelled The Mysterious Portrait The Calash INTRODUCTION Russian literature, so full of enigmas, contains no greater creative mystery than Nikolai Vasil'evich Gogol (1809-1852), who has done for the Russian novel and Russian prose what Pushkin has done for Russian poetry. Before these two men came Russian literature can hardly have been said to exist. It was pompous and effete with pseudo-classicism; foreign influences were strong; in the speech of the upper circles there was an over-fondness for German, French, and English words. Between them the two friends, by force of their great genius, cleared away the debris which made for sterility and erected in their stead a new structure out of living Russian words. The spoken word, born of the people, gave soul and wing to literature; only by coming to earth, the native earth, was it enabled to soar. Coming up from Little Russia, the Ukraine, with Cossack blood in his veins, Gogol injected his own healthy virus into an effete body, blew his own virile spirit, the spirit of his race, into its nostrils, and gave the Russian novel its direction to this very day. More than that. The nomad and romantic in him, troubled and restless with Ukrainian myth, legend, and song, impressed upon Russian literature, faced with the realities of modern life, a spirit titanic and in clash with its material, and produced in the mastery of this every-day material, commonly called sordid, a phantasmagoria intense with beauty. A clue to all Russian realism may be found in a Russian critic's observation about Gogol:
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