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is to write true history, and it is just that which is so difficult. . . ." This declaration is rather surprising to any one who reads it to-day. We might ask whether what was natural in 1832 would be natural in 1910? That is not the question which concerns us, though. The important fact to note is that George Sand was no longer attempting to manufacture monstrosities. She was endeavouring to be true, and she wanted above everything else to present a character of woman who would be the typical modern woman. "Noemi (this name was afterwards left to Sandeau, who had used it in _Marianna_. George Sand changed it to that of _Indiana_) is a typical woman, strong and weak, tired even by the weight of the air, but capable of holding up the sky; timid in everyday life, but daring in days of battle; shrewd and clever in seizing the loose threads of ordinary life, but silly and stupid in distinguishing her own interests when it is a question of her happiness; caring little for the world at large, but allowing herself to be duped by one man; not troubling much about her own dignity, but watching over that of the object of her choice; despising the vanities of the times as far as she is concerned, but allowing herself to be fascinated by the man who is full of these vanities. This, I believe," she says, "is the usual woman, an extraordinary mixture of weakness and energy, of grandeur and of littleness, a being ever composed of two opposite natures, at times sublime and at times despicable, clever in deceiving and easily deceived herself." This novel, intended to present to us the modern woman, ought to be styled a "feminist novel." It was also, as regards other points of view. _Indiana_ appeared in May, 1832, _Valentine_ in 1833, and _Jacques_ in 1834. In these three books I should like to show our present feminism, already armed, and introduced to us according to George Sand's early ideas. _Indiana_ is the story of a woman who had made an unfortunate marriage. At the age of nineteen she had married Colonel Delmare. Colonels were very much in vogue in those days, and the fact that he had attained that rank proves that he was much older than she was. Colonel Delmare was an honest, straightforward man in the Pharisaical sense of the word. This simply means that he had never robbed or killed any one. He had no delicacy and no charm, and, fond as he was of his own authority, he was a domestic tyrant. Indiana was very unhappy
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