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charge of canvases, easels, paintboxes, and other utensils of the painter's craft, and he came out gleefully from his lodge as soon as their vehicle rumbled under the deep arch of the outer porch. Usually, Joan had a word and a smile for him, though the extent of her Greek conversation was a phrase or two learned from Felix; but to-day she hardly seemed to see him, and lost not a moment in settling down to work. She had not much to do; in fact, so far as Felix took note of her action, after adjusting the canvas and mixing some colors on the palette, she sat idle for a long time, and even then occupied herself with an unnecessary deepening of tints in the picture, which already displayed an amazing resemblance to its stilted and highly colored prototype. At last she spoke, and Felix, perched on a platform above her head, was almost startled by the sorrow laden cadence of her voice. "I did not really come here to-day to paint," she said. "The picture is finished; my work in Delgratz is ended. You and Pauline are the only two people in the world whom I can trust, and I have brought you here, Felix, to tell you that I am leaving Delgratz to-night." The hunchback slid down from the little scaffolding he had constructed to enable him to survey the large area covered by the frescoes. "I suppose I have understood what you said," he cried. "It is impossible to focus one's thoughts properly on the spoken word when a huge dome adds vibrations of its own, and I admit that I am invariably irritated myself when I state a remarkable fact with the utmost plainness and people pretend to be either deaf or dull of comprehension." That was Poluski's way. He never would take one seriously; but Joan merely sighed and bent her head. "You say you are leaving Delgratz to-night! May one ask why?" he went on, dropping his bantering manner at once. "No," she said. Felix bassooned a few deep notes between his lips. "You have some good reason for telling me that, I presume?" he muttered, uttering the first words that occurred to his perplexed brain. "Yes, the very best of reasons, or at least the most convincing. I cannot remain here unless I marry Alec, and as I have absolutely determined not to marry him, it follows that I must go." "Ah, you are willing to give some sort of reason, then," he said. "At present I am muddled. One grasps that unless you marry Alec you must go; but why not marry Alec? It sounds like a proposition
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