theatres where all the sensitive effects of dialogue
and action are swallowed up in the immensity of stage and auditorium.
There is nothing more dispiriting, indeed, both to performers and
spectators, than the presentation of some comedy like the "School for
Scandal" in a house far better suited to the picturesque demands of
the "Black Crook" or the "County Circus."
The theatre in Drury Lane, as Oldfield knew it, had a not
over-cheerful interior, the most noticeable features of which included
the pit, provided with backless benches, and surrounded by what would
now be called the Promenade. The latter, as Misson informs us,[A] was
taken up for the most part by ladies of quality. In addition to these
quarters and the boxes, there were two galleries reserved for the
common herd, but into which, no doubt, impecunious beaux, down in the
heels and at the mouth, would frequently stray.
[Footnote A: Henre Misson's "Memoirs and Observations in his Travels
over England."]
The performances generally began at 5 o'clock, but that there were
occasional lapses into unpunctuality, may be inferred from the
following advertisement in the _Daily Courant_ of October 5, 1703:
"Her Majesty's Servants of the Theatre Royal being return'd from the
Bath, do intend, to-morrow, being Wednesday, the sixth of this instant
October to act a Comedy call'd 'Love Makes a Man, or the Fop's
Fortune.'[A] With singing and dancing. And whereas the audiences have
been incommoded by the Plays usually beginning too late, the Company
of the said Theatre do therefore give notice that they will constantly
begin at Five a Clock without fail, and continue the same Hour all the
Winter."[B]
[Footnote A: One of Cibber's earlier plays.]
[Footnote B: Quoted in "Social Life in the Reign of Queen Anne."]
To the _fin de siecle_ playgoer the idea of beginning a performance
at so strange an hour seems nothing short of startling, until it be
remembered that people of quality were then wont to dine between three
and four o'clock of the afternoon. How they spent the earlier portion
of the day is not hard to relate. The men of fashion rose tardily,
feeling none the better, as a rule, for a night at club or tavern, and
then lounged about as best they could, visiting, sauntering in the
Mall,[A] or otherwise trying to pass the time until dinner. This solid
meal over they were ready for the theatre, where they occasionally
arrived in a state of unpleasant exhilaration,
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