orthy to be done, or what 'has' been
done before, no genius can be evinced; yet the picking of pockets is an
unworthy act, pockets have been picked time immemorial, and Barrington,
the pick-pocket, in point of genius, would have thought hard of a
comparison with William Wordsworth, the poet.
"Again, in estimating the merit of certain poems, whether they be
Ossian's or Macpherson's can surely be of little consequence, yet, in
order to prove their worthlessness, Mr. W. has expended many pages in
the controversy. 'Tantaene animis?' Can great minds descend to such
absurdity? But worse still: that he may bear down every argument in
favor of these poems, he triumphantly drags forward a passage, in his
abomination with which he expects the reader to sympathise. It is the
beginning of the epic poem 'Temora.' 'The blue waves of Ullin roll in
light; the green hills are covered with day; trees shake their dusty
heads in the breeze.' And this--this gorgeous, yet simple imagery, where
all is alive and panting with immortality--this, William Wordsworth, the
author of 'Peter Bell,' has 'selected' for his contempt. We shall see
what better he, in his own person, has to offer. Imprimis:
"'And now she's at the pony's tail,
And now she's at the pony's head,
On that side now, and now on this;
And, almost stifled with her bliss,
A few sad tears does Betty shed....
She pats the pony, where or when
She knows not ... happy Betty Foy!
Oh, Johnny, never mind the doctor!'
"Secondly:
"'The dew was falling fast, the--stars began to blink;
I heard a voice: it said,--"Drink, pretty creature, drink!"
And, looking o'er the hedge, before me I espied
A snow-white mountain lamb, with a maiden at its side.
No other sheep was near, the lamb was all alone,
And by a slender cord was tether'd to a stone.'
"Now, we have no doubt this is all true: we _will_ believe it,
indeed we will, Mr, W. Is it sympathy for the sheep you wish to excite?
I love a sheep from the bottom of my heart.
"But there are occasions, dear B----, there are occasions when even
Wordsworth is reasonable. Even Stamboul, it is said, shall have an end,
and the most unlucky blunders must come to a conclusion. Here is an
extract from his preface:
"'Those who have been accustomed to the phraseology of modern writers,
if they persist in reading this book to a conclusion (_impossible!_)
will, no doubt, have to struggle with feelings of awkwardness
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