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identical with the god Poseidon. He was worshipped in his temple under the name of Poseidon Erechtheus, and from the earliest times was associated with Athena as one of the two protecting deities of Athens. The original Erechtheum was burnt by the Persians, but the new temple was erected on the ancient site. This could not have been otherwise; for on this spot was the sacred olive-tree which Athena evoked from the earth in her contest with Poseidon, and also the well of salt-water which Poseidon produced by a stroke of his trident, the impression of which was seen upon the rock. The building was also called the temple of Athena Polias, because it contained a separate sanctuary of the goddess, as well as her most ancient statue. The building of the new Erechtheum was not commenced till the Parthenon and Propylaea were finished, and probably not before the year preceding the breaking out of the Peloponnesian war. Its progress was no doubt delayed by that event, and it was probably not completed before 393 B.C. When finished it presented one of the finest models of the Ionic order, as the Parthenon was of the Doric, It stood to the north of the latter building and close to the northern wall of the Acropolis. The form of the Erechtheum differed from every known example of a Grecian temple. Usually a Grecian temple was an oblong figure with a portico at each extremity. The Erechtheum, on the contrary, though oblong in shape and having a portico at the eastern or principal front, had none at its western end, where, however, a portico projected north and south from either side, thus forming a kind of transept. This irregularity seems to have been chiefly owing to the necessity of preserving the different sanctuaries and religious objects belonging to the ancient temple. A view of it is given opposite. The roof of the southern portico, as shown in the view, was supported by six Caryatides. Such were the principal objects which adorned the Acropolis at the time of which we are now speaking. Their general appearance will be best gathered from the engraving on the Frontispiece. Before quitting the city of Athens, there are two or three other objects of interest which must be briefly described. First, the Dionysiac theatre, which occupied the slope at the south-eastern extremity of the Acropolis. The middle of it was excavated out of the rock, and the rows of seats ascended in curves one above another, the diamet
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