FREE BOOKS

Author's List




PREV.   NEXT  
|<   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273  
274   275   276   277   278   279   280   281   >>  
wheat flamed, the harvestmen worked with their faces scorched by the reflection of the sun-rays on the hard and arid earth. All were silent, their shirts wet with perspiration; while from time to time, they slaked their thirst with water from round, earthenware jugs, furnished with two handles and a mouth-piece stoppered with a willow stick. At the father end of the stubble-field stood the carts which contained the sheaves, and near them a group of at least a hundred beings who far exceeded the hideous conceptions of Murillo and Teniers, the boldest painters of such scenes, or of Callot, that poet of the fantastic in poverty. The pictured bronze legs, the bare heads, the ragged garments so curiously faded, so damp with grease, so darned and spotted and discolored, in short, the painters' ideal of the material of abject poverty was far surpassed by this scene; while the expression on those faces, greedy, anxious, doltish, idiotic, savage, showed the everlasting advantage which nature possesses over art by its comparison with the immortal compositions of those princes of color. There were old women with necks like turkeys, and hairless, scarlet eyelids, who stretched their heads forward like setters before a partridge; there were children, silent as soldiers under arms, little girls who stamped like animals waiting for their food; the natures of childhood and old age were crushed beneath the fierceness of a savage greed,--greed for the property of others now their own by long abuse. All eyes were savage, all gestures menacing; but every one kept silence in presence of the count, the field-keeper, and the bailiff. At this moment all classes were represented,--the great land-owners, the farmers, the working men, the paupers; the social question was defined to the eye; hunger had convoked the actors in the scene. The sun threw into relief the hard and hollow features of those faces; it burned the bare feet dusty with the soil; children were present with no clothing but a torn blouse, their blond hair tangled with straw and chips; some women brought their babes just able to walk, and left them rolling in the furrows. The gloomy scene was harrowing to the old soldier, whose heart was kind, and he said to Michaud: "It pains me to see it. One must know the importance of these measures to be able to insist upon them." "If every land-owner followed your example, lived on his property, and did the good that you and yours are
PREV.   NEXT  
|<   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273  
274   275   276   277   278   279   280   281   >>  



Top keywords:

savage

 

painters

 
poverty
 

property

 
children
 

silent

 
paupers
 

working

 
social
 

hunger


actors

 
convoked
 

defined

 
question
 
silence
 

fierceness

 

beneath

 

natures

 

childhood

 

crushed


gestures
 

menacing

 
classes
 
moment
 

represented

 
owners
 

bailiff

 

keeper

 

relief

 
presence

farmers
 

blouse

 
importance
 

measures

 

Michaud

 
insist
 

clothing

 

tangled

 

present

 

burned


features

 

harrowing

 

gloomy

 

soldier

 

furrows

 
rolling
 

brought

 

hollow

 

hundred

 
sheaves